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Gordy'/><category scheme='http://www.blogger.com/atom/ns#' term='Alberto Lopez'/><category scheme='http://www.blogger.com/atom/ns#' term='Jim Cox'/><title type='text'>RE-Post. The AIX All Star Band - Moonlight Acoustica. DVD-Audio, DVD-Video</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div id="album-block" style="outline-color: initial; outline-style: none; outline-width: initial; text-align: -webkit-auto;"&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;DVD-Audio | MLP 24bit-96kHz 5.1 | 4.3GB&lt;/span&gt;&lt;br style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;DVD-Video | PCM 24bit-96kHz 2.0, DTS 5.1, DD 5.1 | Screen 16:9 NTSC | 7.69GB&lt;/span&gt;&lt;br style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;DVD Rip | FLACs 24bit-96kHz 2.0 | 954MB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Jazz | Label: AIX Records | Catalog Number: 800416&lt;br /&gt;RAR 3% Rec. | FServe.com, FSonic.com, FFactory.com&lt;/i&gt;&lt;br /&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;b style="background-color: #c0a154; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px; text-align: left;"&gt;&lt;a href="http://www.aixrecords.com/catalog/dvd_av_prem/moonlight_dvd_av_prem.html" style="color: #ff3300;"&gt;&lt;span style="color: #cc0000;"&gt;aixrecords.com&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div id="albumpage-video-block" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 10px; height: 300px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 24px; padding-left: 24px; width: 501px; z-index: 0;"&gt;&lt;object height="300" style="height: 300px; outline-color: initial; outline-style: none; outline-width: initial; width: 501px;" width="501"&gt;&lt;embed src="http://www.youtube.com/v/YeSTKWfXj9Y?version=3&amp;amp;feature=player_profilepage" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="501" height="300" style="outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;/object&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="albumpage-block" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; outline-color: initial; outline-style: none; outline-width: initial; padding-left: 24px; padding-right: 24px; padding-top: 5px; text-align: -webkit-auto; width: 501px;"&gt;&lt;div id="albumpage-header" style="background-color: #990000; color: white; float: left; font-size: 24px; height: 65px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 10px; text-align: center; vertical-align: middle; width: 501px;"&gt;THE AIX ALL STAR BAND&lt;br /&gt;MOONLIGHT ACOUSTICA&lt;/div&gt;&lt;div id="albumpage-cover-large" style="float: left; font-size: 10px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 20px;"&gt;&lt;img alt="album_cover_art" height="297" src="http://www.aixrecords.com/images/moonlight_prem_cvr.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; outline-color: initial; outline-style: none; outline-width: initial;" width="213" /&gt;&lt;/div&gt;&lt;div class="albumpage-artist-title-price" style="float: right; font-size: 16px; font-weight: bold; line-height: 22px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 28px; text-align: left; width: 268px;"&gt;The AIX All Star Band - Moonlight Acoustica&lt;br /&gt;&lt;br /&gt;Price: $24.98&lt;/div&gt;&lt;div class="albumpage-add-to-cart" style="float: left; font-size: 10px; outline-color: initial; outline-style: none; outline-width: initial; padding-left: 20px;"&gt;&lt;form action="http://www.aixrecords.com/cgi-bin/cgiwrap/aixrec/shop/addtocart.cgi" method="post" name="addform" style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;input maxlength="2" name="qty" size="3" style="background-color: #cccccc; color: black; outline-color: initial; outline-style: none; outline-width: initial;" type="text" value="1" /&gt;&amp;nbsp;&lt;input name="submit" style="background-color: #cccccc; color: black; outline-color: initial; outline-style: none; outline-width: initial;" type="submit" value="Add to Cart" /&gt;&amp;nbsp;&lt;/form&gt;&lt;/div&gt;&lt;div class="albumpage-artist-list" style="float: left; font-size: 12px; outline-color: initial; outline-style: none; outline-width: initial; padding-left: 20px; text-align: left;"&gt;featuring:&lt;br /&gt;&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Carl Verheyen&lt;/b&gt;, electric guitar&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Laurence Juber&lt;/b&gt;, acoustic guitar&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Jim Cox&lt;/b&gt;, piano and organ&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Cliff Hugo&lt;/b&gt;, bass&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;John Ferraro&lt;/b&gt;, drums&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Alberto Lopez&lt;/b&gt;, percussion&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;M.B. Gordy&lt;/b&gt;, marimba&lt;/div&gt;&lt;div id="gazette-content" style="clear: both; color: #666666; font-size: 14px; height: 1167px; line-height: 20px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 10px; width: 478px;"&gt;So there we were in late January with an available recording slot to fill. I decided to go ahead with an idea that I have been fostering for a couple of years and that David Chesky encouraged me to go ahead and do (After all, I did get my Ph.D. in composition from UCLA). So here's the concept…take a very well known classical work and re-cast it as a piece in the style of electronica. But that's not all. Have some of my favorite musicians realize the concept acoustically and in realtime…basically jam on the "changes" of the Moonlight Sonata of Beethoven for an hour and capture it on high-definition audio and high-definition video. It turned out great! It's a hybrid piece with great solos, pulsing rhythms and incredible instrumental color.&lt;br /&gt;&lt;br /&gt;The AIX All Star Band is comprised of my favorite LA studio musicians. They bring their amazing talents to the hall have some brief discussions and then launch into an uninterrupted 55 minute jam. It's mind-blowing how good they are. Carl is the guitarist for Supertramp and a fronts his own trio, ex-Wings guitarist Laurence Juber is always at the top of acoustic guitarists polls and music director and keyboard maestro Jim Cox has a discogrpahy that spans many, many pages.&lt;br /&gt;&lt;br /&gt;It turned out so well that we've done two additional classical masterpieces in the same style: Pachelbel’s Canon and Bach’s Goldberg Variations. If you like what you hear on this recording, you'll like those as well. The ensemble is essentially the same and the same improvisational masterery is focal point of the track.&lt;br /&gt;&lt;br /&gt;In the middle of the production it occurred to me to turn the video of the musicians into a moving, evolving piece of motion graphics by processing or filtering [heavily] the HD video that we shot. Lots of computer graphics get created to accompany a piece of music but how many times is the video a direct derivative of the performance itself. I call this the "wallpaper" version of the piece. I'd love to hear from customers about this presentation…I spent another 6 weeks realizing it.&lt;br /&gt;&lt;br /&gt;AIX Records' premium DVD-Audio/Video discs have two sides. The first side in an interactive DVD-Video disc and the other side is a DVD-Audio disc [which requires a DVD-Audio capable machine to play it back].&lt;br /&gt;&lt;br /&gt;The sound of this recording brings these incredible musicians into your listening space. The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics.&lt;br /&gt;&lt;br /&gt;&lt;img alt="acljp_image" height="281" src="http://www.aixrecords.com/images/moonlight_bottom.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; outline-color: initial; outline-style: none; outline-width: initial;" width="500" /&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;The AIX All Star Band on Zipper Hall's stage.&lt;/small&gt;&lt;/div&gt;&lt;div id="gazette-content" style="clear: both; height: 1167px; line-height: 20px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 10px; width: 478px;"&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;/small&gt;&lt;br /&gt;&lt;div class="center" style="background-color: white; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; line-height: normal; text-align: center;"&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;b&gt;downloading:&lt;/b&gt;&lt;/small&gt;&lt;br /&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;a href="http://www.filesonic.com/file/368874864/Moonlight_Acoustica.txt" rel="nofollow" style="color: brown;" target="_blank"&gt;&lt;b&gt;FileSonic&lt;/b&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/3156acce8d62e7e0/" rel="nofollow" style="color: brown;" target="_blank"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/TFzZbEy" rel="nofollow" style="color: brown;" target="_blank"&gt;&lt;b&gt;FileServe&lt;/b&gt;&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;div class="center" style="background-color: white; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; line-height: normal; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="color: #cc0000; font-size: small;"&gt;&lt;a href="http://tinypaste.com/93229907"&gt;information&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br style="background-color: white; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; line-height: normal;" /&gt;&lt;span style="background-color: white; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; line-height: normal;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; line-height: normal;"&gt;bambasm&lt;/b&gt;&lt;/small&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-7758771975385830001?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/7758771975385830001/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-aix-all-star-band-moonlight.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7758771975385830001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7758771975385830001'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-aix-all-star-band-moonlight.html' title='RE-Post. The AIX All Star Band - Moonlight Acoustica. DVD-Audio, DVD-Video'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-2738538615792106559</id><published>2012-01-16T05:00:00.000+01:00</published><updated>2012-01-16T05:37:34.171+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='DVD-Audio'/><category scheme='http://www.blogger.com/atom/ns#' term='Raul Pineda'/><category scheme='http://www.blogger.com/atom/ns#' term='Paul Williams'/><category scheme='http://www.blogger.com/atom/ns#' term='Laurence Juber'/><category scheme='http://www.blogger.com/atom/ns#' term='DVD-Video'/><category scheme='http://www.blogger.com/atom/ns#' term='AIX Records'/><category scheme='http://www.blogger.com/atom/ns#' term='John McEuen'/><category scheme='http://www.blogger.com/atom/ns#' term='Lowen -  Navarro'/><title type='text'>RE-Post. AIX Records Presents: A High-Resolution Audio Experience. DVD-Audio, DVD-Video</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;DVD-Audio | MLP 24bit-96kHz 5.1 | 4.56GB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DVD-Video | PCM 24bit-96kHz 2.0, DTS 5.1, DD 5.1 | Screen 16:9 NTSC | 7.67GB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Various Genres | Label: AIX Records | Catalog Number: 82001&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;RAR 3% Rec. | FServe.com, FSonic.com, FFactory.com&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;b&gt;&lt;a href="http://www.aixrecords.com/catalog/dvd_av_prem/hi-res_sampler_dvd.html"&gt;&lt;span style="color: #cc0000;"&gt;aixrecords.com&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="albumpage-header" style="background-color: #990000; color: white; float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 24px; height: 65px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 10px; text-align: center; vertical-align: middle; width: 501px;"&gt;A HIGH-RESOLUTION AUDIO EXPERIENCE&lt;/div&gt;&lt;div id="albumpage-cover-large" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 10px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 20px; text-align: -webkit-auto;"&gt;&lt;img alt="album_cover_art" height="297" src="http://www.aixrecords.com/images/high_res_exp_audio_sampler.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; outline-color: initial; outline-style: none; outline-width: initial;" width="213" /&gt;&lt;/div&gt;&lt;div class="albumpage-artist-title-price" style="float: right; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 16px; font-weight: bold; line-height: 22px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 28px; width: 268px;"&gt;The High-Resolution Audio Experience&lt;br /&gt;&lt;br /&gt;Price: $24.98&lt;/div&gt;&lt;div class="albumpage-add-to-cart" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 10px; outline-color: initial; outline-style: none; outline-width: initial; padding-left: 20px; text-align: -webkit-auto;"&gt;&lt;form action="http://www.aixrecords.com/cgi-bin/cgiwrap/aixrec/shop/addtocart.cgi" method="post" name="addform" style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;input maxlength="2" name="qty" size="3" style="background-color: #cccccc; color: black; outline-color: initial; outline-style: none; outline-width: initial;" type="text" value="1" /&gt;&amp;nbsp;&lt;input name="submit" style="background-color: #cccccc; color: black; outline-color: initial; outline-style: none; outline-width: initial;" type="submit" value="Add to Cart" /&gt;&amp;nbsp;&lt;/form&gt;&lt;/div&gt;&lt;div class="albumpage-artist-list" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 12px; outline-color: initial; outline-style: none; outline-width: initial; padding-left: 20px;"&gt;featuring:&lt;br /&gt;&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;John McEuen&lt;/b&gt;, guitar &amp;amp; banjo&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Lowen &amp;amp; Navarro&lt;/b&gt;, folk duo&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Laurence Juber&lt;/b&gt;, acoustic guitar&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Paul Williams&lt;/b&gt;, singer/songwriter&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Raul Pineda&lt;/b&gt;, Afro-Cuban Latin Jazz&lt;br /&gt;&lt;b style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;and many more!&lt;/b&gt;&lt;/div&gt;&lt;div id="sku-number" style="float: left; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 12px; height: 20px; outline-color: initial; outline-style: none; outline-width: initial; width: 501px;"&gt;AIX 82001&lt;/div&gt;&lt;div id="gazette-content" style="clear: both; color: #666666; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 14px; height: 1015px; line-height: 20px; outline-color: initial; outline-style: none; outline-width: initial; padding-top: 10px; text-align: -webkit-auto; width: 478px;"&gt;This disc was produced in collaboration with Intel after the tremendous success of our first sampler disc. I has become a reference disc among audiophiles, speaker manufacturers, hifi shops and sales professionals because of the diversity of musical material it contains but also because of the exhaustive information that is included about tones, setups, audio and equipment. We provide this disc FREE of charge if you order $50 worth of our other titles because we want you to experience the difference that real HD-Audio can make. It contains:&lt;br /&gt;&lt;ul style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;29 High-Resolution new PCM Recordings from the AIX Records Catalog&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Alternative Mixes - Stereo, "Stage" and "Audience" 5.1 Channel Surround Sound&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;11 Anamorphic Videos shot using true HiDef equipment&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;View an H.264 HiDef QuickTime file on your computer&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;New Recordings at 96 kHz/24-bit&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;System Check and Complete Test Tones Section&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Introduction to the DVD Format&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;All About High-Resolution Audio Formats and Encoding Methods&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Explanation and Demonstrations of 5.1 Channel Surround Sound&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;How To Use This Disc in DVD-Audio, DVD-Video and DVD-ROM Computers&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Complete AIX Records Catalog Section&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;Over 500 Information Screens and Diagrams&lt;/li&gt;&lt;li style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;DVD-Audio and 2-Layer DVD-Video on Opposite Sides [DVD-14]&lt;/li&gt;&lt;/ul&gt;This sampler disc is a DVD-14 (the previous ones were DVD-10s), a double-layer DVD-Video side coupled with a DVD-Audio disc. You can choose to listen to any of the 29 tracks in 2-different surround mixes ["Stage" and "Audience"] as well as high-resolution stereo, watch 11 tracks shot in HiDef and hear demos that compare and contrast Stereo vs. surround. The disc comes handsomely packaged in a 4 panel digipak and includes a 16-page full color catalog. This is the definitive demonstration disc!&lt;br /&gt;&lt;br /&gt;&lt;img alt="acljp_image" height="281" src="http://www.aixrecords.com/images/high_res_screen_bottom.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; outline-color: initial; outline-style: none; outline-width: initial;" width="500" /&gt;&lt;small style="outline-color: initial; outline-style: none; outline-width: initial;"&gt;One of the screens showing the sides of our premium discs.&lt;/small&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ISjaqVPVGtM/Tq1Yn5kc-6I/AAAAAAAAAUs/zIg-42tgAWI/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-ISjaqVPVGtM/Tq1Yn5kc-6I/AAAAAAAAAUs/zIg-42tgAWI/s400/back.jpg" width="292" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/12318591" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/7a3b394f17b2ee3d/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/k7mbu87" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://tinypaste.com/f8ad1c1a"&gt;information&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-2738538615792106559?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/2738538615792106559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/10/aix-records-presents-high-resolution.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/2738538615792106559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/2738538615792106559'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/10/aix-records-presents-high-resolution.html' title='RE-Post. AIX Records Presents: A High-Resolution Audio Experience. DVD-Audio, DVD-Video'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ISjaqVPVGtM/Tq1Yn5kc-6I/AAAAAAAAAUs/zIg-42tgAWI/s72-c/back.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-8901885600657111134</id><published>2012-01-14T13:10:00.000+01:00</published><updated>2012-01-14T14:53:54.018+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pink Floyd'/><category scheme='http://www.blogger.com/atom/ns#' term='David Gilmour'/><category scheme='http://www.blogger.com/atom/ns#' term='Progressive Rock'/><title type='text'>RE-Post. David Gilmour - Promo Singles and Sampler CDs</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="title"&gt;&lt;/div&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://2.bp.blogspot.com/-8SyaVh4qj9E/TxGCNffGnVI/AAAAAAAABFc/xm3T55r7DcQ/s1600/0.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="303" src="http://2.bp.blogspot.com/-8SyaVh4qj9E/TxGCNffGnVI/AAAAAAAABFc/xm3T55r7DcQ/s320/0.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Eac-rips | cue/log/flacs/covers | 8CD 850mb&lt;/b&gt;&lt;br /&gt;&lt;i style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 20px;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileFactory.com&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;1. Arnold Layne (2006) Japan SICP-1449 Promo&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://1.bp.blogspot.com/-UqUqtjXtJY0/TxGC0fk_wGI/AAAAAAAABFk/LFR8AiKn3J8/s1600/1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-UqUqtjXtJY0/TxGC0fk_wGI/AAAAAAAABFk/LFR8AiKn3J8/s320/1.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Sony Music&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: SICP-1449&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Live 3-Track Promo CD Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: Japan&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. Arnold Layne (3:30)&lt;/i&gt;&amp;nbsp;- Recorded live at The Royal Albert Hall, May 2006. w/David Bowie on vocals.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. Arnold Layne (3:23)&lt;/i&gt;&amp;nbsp;- Recorded live at The Royal Albert Hall, May 2006. w/Richard Wright on vocals.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03. Dark Globe (2:23)&lt;/i&gt;&amp;nbsp;- Recorded live at the Clam Castle, Austria, July 2006. w/David Gilmour on vocals.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;2. Smile (2006) 1-Track EU Promo CD Single&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://1.bp.blogspot.com/-zQBbXnISOlk/TxGDMIWGkdI/AAAAAAAABFs/HkirIin84Ro/s1600/2.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-zQBbXnISOlk/TxGDMIWGkdI/AAAAAAAABFs/HkirIin84Ro/s320/2.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: EMI&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: CDEMDJ 696&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Studio 1-Track Promo CD Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: EU&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. Smile (Radio Edit) (3:51)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;3. Smile (2006) 2-Track EU CD Single&lt;/b&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-9O_4pUDl8Ys/TxGDiplfLYI/AAAAAAAABF0/5FVcFy-akZ8/s1600/3.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-9O_4pUDl8Ys/TxGDiplfLYI/AAAAAAAABF0/5FVcFy-akZ8/s320/3.jpeg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: EMI&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: CDEM 696&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Studio 2-Track CD Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: EU&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. Smile (4:06)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. Island Jam (6:33)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;4. On An Island (2006) CD-R Single&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://2.bp.blogspot.com/-9MC4CRdMR-w/TxGDxfXqdAI/AAAAAAAABF8/pW85J27E9YY/s1600/4.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-9MC4CRdMR-w/TxGDxfXqdAI/AAAAAAAABF8/pW85J27E9YY/s320/4.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Sony Music Studios&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: Generic CD-R numbers only&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Studio CD Single Promo&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: Australia&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. On An Island (4:42)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;5. On An Island (2006) 2-Track US Promo CD-R Single&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://4.bp.blogspot.com/-ZFzwWcjAEZA/TxGEFPXcIXI/AAAAAAAABGE/nacefpE5XSw/s1600/5.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-ZFzwWcjAEZA/TxGEFPXcIXI/AAAAAAAABGE/nacefpE5XSw/s320/5.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Columbia&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: 82876 80976 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Studio 2-Track Promo CD-R Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: US&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. On An Island (Album Version) (6:49)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. On An Island (Radio Edit) (4:42)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;6. 4 Tracks Live From Abbey Road (2007) US Promo CD Single&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://3.bp.blogspot.com/-515XvF5VOqk/TxGEaJVu0lI/AAAAAAAABGM/embFt56BlHs/s1600/6.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-515XvF5VOqk/TxGEaJVu0lI/AAAAAAAABGM/embFt56BlHs/s320/6.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Columbia&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: 88697 14334 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Live 4-Track Promo CD Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: US&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2007&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. The Blue (6:25)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. On An Island (7:26)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03. Take A Breath (5:55)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04. Smile (4:23)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;7. Live Selections From On An Island (2006) 3-Track US Promo CD Single&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://2.bp.blogspot.com/-HkI9jHaF7PE/TxGEndnOrbI/AAAAAAAABGU/4iAl14FZmY0/s1600/7.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-HkI9jHaF7PE/TxGEndnOrbI/AAAAAAAABGU/4iAl14FZmY0/s320/7.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Columbia&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: 82876 87526 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Live 3-Track Promo CD Single&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: US&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. On An Island (6:48)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. Take A Breath (5:08)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03. This Heaven (4:28)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;8. Remember That Night, 5 Live Tracks (2007) US Promo CD EP&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://1.bp.blogspot.com/-48Fn50i7W5A/TxGEz_wJzRI/AAAAAAAABGc/Ig5f1UZekEU/s1600/8.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-48Fn50i7W5A/TxGEz_wJzRI/AAAAAAAABGc/Ig5f1UZekEU/s320/8.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Label: Sony Music Studios&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Catalog#: 88697 14335 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Format: Live 5-Track Promo CD EP&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Country: US&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Released: 2007&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;Tracklist:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01. Wish You Were Here (5:12)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02. On An Island (6:58)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03. Comfortably Numb (8:33)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04. Shine On You Crazy Diamond (11:06)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05. The Blue (6:01)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;--------------------------------------------------------&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;b style="background-color: white; color: #333333; font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;a href="http://www.filefactory.com/f/53207375462f1855/" rel="nofollow" style="color: brown; text-decoration: none;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/C6BWuBQ" rel="nofollow" style="color: brown; text-decoration: none;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;PW:&amp;nbsp;&lt;span style="color: #cc0000;"&gt;davi&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/ada9c0ea" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-8901885600657111134?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/8901885600657111134/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2009/12/david-gilmour-promo-singles-and-sampler.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8901885600657111134'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8901885600657111134'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2009/12/david-gilmour-promo-singles-and-sampler.html' title='RE-Post. David Gilmour - Promo Singles and Sampler CDs'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-8SyaVh4qj9E/TxGCNffGnVI/AAAAAAAABFc/xm3T55r7DcQ/s72-c/0.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-4551278227062308129</id><published>2012-01-12T16:17:00.002+01:00</published><updated>2012-01-12T16:17:33.222+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Liquid Tension Experiment'/><title type='text'>RE-Post. Liquid Tension Experiment - LTE Live 2008. 6xCD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-t-zluE5-ECU/Tw61k19D-XI/AAAAAAAABC0/aiTIF3_WTwc/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-t-zluE5-ECU/Tw61k19D-XI/AAAAAAAABC0/aiTIF3_WTwc/s320/front.jpg" width="234" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG |&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small; text-align: left;"&gt;&lt;b&gt;6CD ~2.7GB&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;span style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;Progressive Rock |&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="text-align: left;"&gt;Lazy Tomato Entertainment&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.progarchives.com/artist.asp?id=211#discography" target="_blank"&gt;&lt;span style="color: #990000;"&gt;progarchives&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Lineup:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Bass &amp;amp; Chapman stick:&lt;/i&gt; Tony Levin&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Guitar:&lt;/i&gt; John Petrucci&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Drums:&lt;/i&gt; Mike Portnoy&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Keyboards:&lt;/i&gt; Jordan Rudess&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-t745tqrWkSk/Tw747gbpokI/AAAAAAAABC8/5MQ2R7UnNTE/s1600/grupp.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-t745tqrWkSk/Tw747gbpokI/AAAAAAAABC8/5MQ2R7UnNTE/s320/grupp.jpg" width="296" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;1. Live in NYC (2CD):&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Recorded Live at BB King's in New York City on June 23rd 2008 (the late show)&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Acid Rain [09:25]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Kindred Spirits [07:59]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Biaxident [07:39]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Freedom of Speech [08:59]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Improv Jam #1 [08:09]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Another Dimension [10:51]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;State of Grace [06:19]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Universal Mind [09:36]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;When the Water Breaks [16:49]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Improv Jam #2 [11:30]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Rhapsody in Blue [13:50]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Osmosis [03:43]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Paradigm Shift [09:31]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;2. When the Keyboard Breaks: Live in Chicago (1CD):&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Recorded live at Park West in Chicago on June 25th 2008&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Universal Mind (When the Keyboard Broke) [02:21]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;The Chicago Blue &amp;amp; Noodle Factory [07:02]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Fade Away or Keep Going? [05:02]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;The Haunted Keyboard [09:33]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Close Encounters of the Liquid Kind [15:13]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Ten Minute Warning [05:54]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;That 'Ol Broken Down Keyboard Blues [06:34]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Liquid Anthrax [04:54]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;That's All Folks! [02:12]&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qrYhv5hKiN4/Tw75F7LrdXI/AAAAAAAABDE/e75xr9PAR6k/s1600/live.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-qrYhv5hKiN4/Tw75F7LrdXI/AAAAAAAABDE/e75xr9PAR6k/s320/live.jpg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;3. Live in LA (2CD):&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Recorded Live at the Downey Theatre, Downey CA on June 27th 2008&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Acid Rain [10:42]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Kindred Spirits [07:52]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Biaxident [07:34]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Freedom of Speech [08:54]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Improv Jam #1 [08:20]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Another Dimension [10:31]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;State of Grace [05:59]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Universal Mind, Part 1 [03:36]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Keyboard Solo [05:18]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Universal Mind, Part 2 [03:46]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;When the Water Breaks [17:51]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Improv Jam #2 [13:03]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Rhapsody in Blue [13:34]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Osmosis [05:51]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Paradigm Shift [09:16]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;4. LTE Bonus Disc (1CD):&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;NYC (Early Show) Improv Jam #1 [06:53]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;NYC (Early Show) Improv Jam #2 [07:40]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;NEARfest Improv Jam #1 [03:41]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;NEARfest Improv Jam #2 [05:42]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Chicago Improv Jam #1 [07:58]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;San Francisco Improv Jam #1 [10:40]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;San Francisco Improv Jam #2 [13:16]&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Additional Instrument Swapping:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Jordan Rudess: &lt;i&gt;Guitar from 2:00 of Track 7&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;John Petrucci: &lt;i&gt;Bass from 2:40 of Track 7&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Mike Portnoy: &lt;i&gt;Bass on Track 8&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Charlie Benante: &lt;i&gt;Drums on Track 8&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-SEHRcKNrEXU/Tw75MTjq2SI/AAAAAAAABDM/o60NqGBa2No/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-SEHRcKNrEXU/Tw75MTjq2SI/AAAAAAAABDM/o60NqGBa2No/s320/back.jpg" width="228" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filefactory.com/f/18b7fc39345ec11b/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/qMtTWhs" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/00ec5f0c" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;pw:&amp;nbsp;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;levin&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-4551278227062308129?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/4551278227062308129/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-liquid-tension-experiment-lte.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/4551278227062308129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/4551278227062308129'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-liquid-tension-experiment-lte.html' title='RE-Post. Liquid Tension Experiment - LTE Live 2008. 6xCD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-t-zluE5-ECU/Tw61k19D-XI/AAAAAAAABC0/aiTIF3_WTwc/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-4630345101364210969</id><published>2012-01-08T20:30:00.000+01:00</published><updated>2012-01-08T20:42:59.004+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Deep Purple'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><title type='text'>Deep Purple - Live on the BBC. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-IO7r2bRx-HY/TuY8jrer3_I/AAAAAAAAAjY/TFafNIdZ-ds/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://4.bp.blogspot.com/-IO7r2bRx-HY/TuY8jrer3_I/AAAAAAAAAjY/TFafNIdZ-ds/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 3.74GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 543MB&lt;/span&gt;&lt;br /&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Rock | Label:&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Audio Fidelity&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;| Catalog Number:&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;AFZ 017&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; 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margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://sa-cd.net/showthread/1684" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;First recorded in 1972 for the BBC, Deep Purple in concert was not released until 1980 and what a release! This is Deep Purple at the top of their game. To make this collection even more spectacular, two of Deep Purple's biggest hits have been added as bonus tracks. In 1968, Hush hit the American charts and climbed to #4. In 1969, River Deep Mountain High reached #53 on the Billboard charts. On River Deep Mountain High the band remained faithful to Phil Spector’s “wall of sound”. Deep Purple Live On The BBC is effectively the album Machine Head live, with six out of seven tracks from that album, followed by an encore of Little Richard’s rock and roll standard “Lucille”. Deep Purple Live On The BBC also features Deep Purple's classic Smoke On The Water. Put it all together and you have a one-of-a-kind collection&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;1. Introduction&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;2. Highway Star&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;3. Strange Kind Of Woman&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;4. Maybe I’m A Leo&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;5. Never Before&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;6. Lazy&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;7. Space Truckin’&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;8. Smoke On The Water&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;9. Lucille (special track for SACD only)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;BONUS TRACKS&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10. Hush&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;11. River Deep Mountain High&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;• &lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Due to time constraints on the CD (Redbook) layer, the track "Lucille" is not available - Only available on SACD layer&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/ad8d0ba7" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;REVIEW&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-7SDnJImjVd4/TuY_yU7Ny6I/AAAAAAAAAjg/GbDBqeEsOVg/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="248" src="http://3.bp.blogspot.com/-7SDnJImjVd4/TuY_yU7Ny6I/AAAAAAAAAjg/GbDBqeEsOVg/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/9318431" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/75e157fe6b17cc0e/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/jTGA82a" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/18c741a3" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;pw: &lt;span class="Apple-style-span" style="color: #cc0000;"&gt;bambasm&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-4630345101364210969?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/4630345101364210969/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/deep-purple-live-on-bbc-sacd-iso.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/4630345101364210969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/4630345101364210969'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/deep-purple-live-on-bbc-sacd-iso.html' title='Deep Purple - Live on the BBC. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-IO7r2bRx-HY/TuY8jrer3_I/AAAAAAAAAjY/TFafNIdZ-ds/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-6976645921543480858</id><published>2012-01-07T06:09:00.001+01:00</published><updated>2012-01-22T23:10:21.237+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Iver Kleive'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Sound Track'/><title type='text'>Orgelmusikken fra deUSYNLIGE - Iver Kleive. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Qirf63JMW_s/TwfRMBLEjyI/AAAAAAAAA-8/scu8PNs-cD8/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="275" src="http://1.bp.blogspot.com/-Qirf63JMW_s/TwfRMBLEjyI/AAAAAAAAA-8/scu8PNs-cD8/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 1.99GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;EAC-RIP | FLAC, IMG+CUE, LOG | 155MB&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Sound Track | Label: &lt;a href="http://www.2l.no/" target="_blank"&gt;2L&lt;/a&gt; | Catalog Number: 2L66SACD&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FSonic.com, FServe.com, FFactory.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="position: relative; width: 528px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;...2L’s 5.1surround recording re-creates both the spacious ambience of Bergen Cathedral and the power of its majestic organ in one’s listening room with astonishing fidelity. It is to be hoped that 2L will record further organ music in this excellent venue. My only complaint is that the playing time of this SACD is under 37 minutes, as I would have loved to have heard much more from the talented Iver Kleive reproduced in such breathtaking sound quality.&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; line-height: 1.4;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; line-height: 1.4;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Organ music from&lt;/span&gt;&lt;span style="color: #333333; font-size: 15px;"&gt; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"&gt;&lt;a href="http://www.amazon.com/Troubled-Water-Sverre-Valheim-Thomas/dp/B002RZARX6/ref=pd_bxgy_m_img_b"&gt;motion picture TROUBLED WATER&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; line-height: 1.4;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;a href="http://www.amazon.com/Orgelmusikken-Fra-Deusynlige-Troubled-Water/dp/B002YTZPH8/ref=sr_1_1?ie=UTF8&amp;amp;s=music&amp;amp;qid=1281255396&amp;amp;sr=1-1" style="color: #992211; text-decoration: none;"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 21px;"&gt;&lt;b&gt;&lt;a href="http://www.sa-cd.net/showtitle/6204"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span style="font-size: 15px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;01. &amp;nbsp; &amp;nbsp;Bridge Over Troubled Water &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;03:09&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;02. &amp;nbsp; &amp;nbsp;Toccata &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;05:38&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;03. &amp;nbsp; &amp;nbsp;Sinfonia Al Santo Sepolcro &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;03:16&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;04. &amp;nbsp; &amp;nbsp;Velt Alle Dine Veie &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;04:04&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;05. &amp;nbsp; &amp;nbsp;Om Nogen Til Ondt Meg Lokke Vil &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;00:38&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;06. &amp;nbsp; &amp;nbsp;Allegro &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;03:02&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;07. &amp;nbsp; &amp;nbsp;Sarah &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;02:47&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;08. &amp;nbsp; &amp;nbsp;Om nogen Til Ondt Meg Lokke Vil (improvisation) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;03:06&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;09. &amp;nbsp; &amp;nbsp;O Bli Hos Meg &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;03:56&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;10. &amp;nbsp; &amp;nbsp;Bridge Over Troubled Water (extended) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;06:58&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #333333; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: verdana, arial, helvetica; font-size: medium;"&gt;&lt;span style="line-height: 26px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/TF5ypGhdtSI/AAAAAAAABVM/32-IUiuz-MI/s1600/port.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/TF5ypGhdtSI/AAAAAAAABVM/32-IUiuz-MI/s320/port.jpg" width="242" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, helvetica;"&gt;&lt;span class="Apple-style-span" style="font-size: medium; line-height: 22px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, helvetica;"&gt;&lt;span class="Apple-style-span" style="font-size: medium; line-height: 22px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: verdana, arial, helvetica, sans-serif; font-size: small; font-weight: normal; line-height: normal;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="text-align: -webkit-left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" style="font-size: small;" valign="top" width="0"&gt;&lt;/td&gt;&lt;td align="left" valign="top" width="100%"&gt;&lt;div class="h3color tiny" style="color: #e47911; font-size: x-small; font-weight: bold; margin-bottom: 0.5em;"&gt;&lt;/div&gt;&lt;div style="font-size: small; margin-bottom: 0.5em;"&gt;&lt;span style="margin-right: 5px;"&gt;&lt;span class="swSprite s_star_5_0 " style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://g-ecx.images-amazon.com/images/G/02/common/sprites/sprite-site-wide._V214202768_.png); background-origin: initial; background-position: -30px 0px; background-repeat: no-repeat no-repeat; display: inline-block; height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: middle; width: 65px;"&gt;&lt;span style="left: -9999px; position: absolute;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;5.0 out of 5 stars&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="display: inline !important;"&gt;&lt;tbody style="display: inline !important;"&gt;&lt;tr style="display: inline !important;"&gt;&lt;td align="left" style="display: inline !important;" valign="top" width="100%"&gt;&lt;div style="display: inline !important; margin-bottom: 0.5em;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Floating in troubled waters, 12 Mar 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="font-size: small; margin-bottom: 0.5em;"&gt;&lt;b&gt;By&amp;nbsp;&lt;/b&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;b&gt;BP Feringa (Netherlands)&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small; margin-bottom: 0.5em;"&gt;&lt;b&gt;&lt;i&gt;This CD contains original organmusic, this music supports the very powerful movie deUsynlige (troubled waters).&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, helvetica; line-height: 26px;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: verdana, arial, helvetica, sans-serif; line-height: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="display: inline !important; text-align: -webkit-left;"&gt;&lt;tbody style="display: inline !important;"&gt;&lt;tr style="display: inline !important;"&gt;&lt;td align="left" style="display: inline !important;" valign="top" width="100%"&gt;&lt;div style="display: inline !important; margin-bottom: 0.5em;"&gt;&lt;i&gt;&lt;span style="color: #444444; font-size: x-small;"&gt;&lt;b&gt;Although it is very difficult for this type of music to survive without a church or movietheatre, this CD is a pleasure to listen. It takes a harsh mind not to drift away in thoughts while listening to this release.&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0.5em;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: verdana, arial, helvetica; line-height: 26px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: verdana, arial, helvetica, sans-serif; font-weight: normal; line-height: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, helvetica; line-height: 26px;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: verdana, arial, helvetica, sans-serif; font-size: x-small; line-height: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="display: inline !important;"&gt;&lt;tbody style="display: inline !important;"&gt;&lt;tr style="display: inline !important;"&gt;&lt;td align="left" style="display: inline !important;" valign="top" width="100%"&gt;&lt;div style="display: inline !important; margin-bottom: 0.5em;"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;I can recommend it!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="display: inline !important; font-size: small;"&gt;&lt;tbody style="display: inline !important;"&gt;&lt;tr style="display: inline !important;"&gt;&lt;td align="left" style="display: inline !important;" valign="top" width="100%"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;a href="http://www.amazon.co.uk/Orgelmusikken-fra-deUsynlige-Iver-Kleive/dp/B002YTZPH8"&gt;amazon.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: medium; font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; color: #333333; font-size: 15px;"&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/TF5yykupQuI/AAAAAAAABVU/BDwsthBr1gc/s1600/organ.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/TF5yykupQuI/AAAAAAAABVU/BDwsthBr1gc/s320/organ.jpg" width="237" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #333333; font-size: 15px;"&gt;&lt;span class="Apple-style-span"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;i&gt;&lt;span style="color: #333333; font-size: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;The organ music is in a sense one of the main characters in the motion picture TROUBLED WATER. Possessing a distinct personality and playing a unique role the music interacts with the drama and influences the other characters. Working on the script brought me to Iver Kleive. His experience in church music and the influence of jazz was a perfect match for the characters. Recording Simon &amp;amp; Garfunkel’s "Bridge over Troubled Waters" in Bergen Cathedral left a powerful and lasting impression on me&lt;/b&gt;&lt;/span&gt;&lt;span style="color: #333333; font-size: 15px;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 15px;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;Erik Poppe, director&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: -webkit-left;"&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;download links&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/18598925" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/7be20f5ee690b2e0/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/orgusynlige.html" target="_blank"&gt;&lt;span style="color: #cc0000; font-size: x-small;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: red;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/TF54fXZwecI/AAAAAAAABVc/gOqDRvhQ4CA/s200/51nauOvym1L._SL500_AA300_.jpg" width="200" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Troubled Water has already won two of Norway's official film awards for 2007 (it was nominated for six), as well as walking away with the Audience Award at the 2008 Hamptons International Film Festival -- which I find a little surprising. Audience awards almost always go to feel-good movies (even sometimes to good feel-good movies) but Troubled Water is too complicated a film to fit easily into that category...&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Organ music is also a highlight of the film (one character is particularly adept at it and we hear a lovely organ rendition of "Bridge Over Troubled Water"). The cast of a half-dozen lead players (two of which are shown above and two more below) and as many again in supporting roles is -- to a man, woman and child -- excellent..&lt;/span&gt;.&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: red; font-size: small; font-weight: normal;"&gt;&lt;a href="http://guru.greencine.com/archives/2010/02/troubled_water.html"&gt;guru.greencine.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-6976645921543480858?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/6976645921543480858/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/orgelmusikken-fra-deusynlige-iver.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6976645921543480858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6976645921543480858'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/orgelmusikken-fra-deusynlige-iver.html' title='Orgelmusikken fra deUSYNLIGE - Iver Kleive. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Qirf63JMW_s/TwfRMBLEjyI/AAAAAAAAA-8/scu8PNs-cD8/s72-c/front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-7911483217406216668</id><published>2012-01-06T09:30:00.000+01:00</published><updated>2012-01-06T09:31:32.630+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SBB'/><title type='text'>RE-post. SBB - Antology 1974-2004. 22 CD Box Set (CD 19-22)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s320/box-front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s320/box-front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;EAC-RIP | FLACs, CUE, LOG | 4CD 2GB | MP3 (lame) CBR-320 V0 | 4CD 70MB | SCANS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Progressive Rock | Label: MMP | Catalog Number: MP22BOX001&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileFactory.com, FileSonic.com&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;The most well-known Polish band in the Seventies! SBB contains a rich variety of influences, which include symphonic prog with intricate and fully orchestrated arrangements. The acoustic guitar adds a very interesting texture. Beauty of the keyboard parts, romantic sonorities of the piano parts and careful, aerial vocal parts brought this group close to PINK FLOYD, CAMEL or GENESIS. Some of their albums were released in West Germany and Czechoslovakia, and they are now active again. "Follow My Dream" and "Welcome" are probably their two best.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;SBB - Antology 1974-2004 - Absolutely unique collection of 22 albums by SBB, one of the best progressive bands ever!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;The box contains all catalogue releases of SBB plus some extras!!!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sbb.pl/sbb/" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;SBB Off. Site&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Biography&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1.SBB is a legend. They started in 1971; then for two years they performed with Czeslaw Niemen (in the band Niemen). Eventually in 1974 the name was shortened to SBB (Search, Break, Build). Since 1974, Jozef Skrzek, Apostolis Antymos and Jerzy Piotrowski have recorded several albums in Poland and abroad and they played hundreds of gigs all around Europe, sharing the stages with such artists as Bob Marley (with whom they co-headlined Roskilde Festival in 1978), Elton John, Soft Machine, Mahavishnu Orchestra, Charles Mingus Dynasty, Jack Bruce Group, Thin Lizzy, Canned Heat, Omega or Klaus Szultze. In the beginning of the 90s they returned after 10-year silence and played series of concerts in USA.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;In 2000, drums in SBB were taken over by Paul Wertico. Considered one of the best drummers in the world, for the last 18 years he'd played in Pat Metheny Group, appearing on: First Circle, The Falcon and the Snowman, Still Life Talking, Letter from Home, Secret Story, The Road To You, We Live Here, Quartet, Imaginary Day. The band continues to play in this line-up to this day.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Fascinated by Mahavishnu Orchestra, SBB started searching for their own means of musical expression. As the time passed, the music calmed down, and the improvised, Hendrix-like moments were more and more often contrasted by softened compositions. Their style evolved into kind of progressive rock, in which one could hear influences of classical music as well as jazz-rock instrumental frenzy.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2. SBB came into being in 1971 as Silesian Blues Band founded by Jozef Skrzek. (Skrzek was classicaly educated as a pianist but by the time of Silesian Blues Band he was a bassist renowned for his work with Breakout, the famous (in Poland, of course) Polish blues group.) The other members of the band were Jerzy Piotrowski (drums) and Apostolis Antymos (guitar). The trio made some radio recordings but it was very hard for them to break through into the Polish musical market. However, they were noticed by Czeslaw Niemen. (Nieman was sort of "king" of Polish rock. He became extremely famous in Poland in 60's, when he was performing pop and soul songs. In early 70's he turned to the experimental, progressive music balancing on the edge of rock and jazz. I can heartily recommend his 70's stuff. It is a truly progressive and original music). As a result, they joined him in the NIEMEN group, taking part in his artistic explorations and making music, which can be best described as 'impressionistic' and 'aleatoric' . Together they recorded Requiem dla Van Gogha (Requiem for Van Gogh) and Marionetki (Puppets), two records with truly unforgettable music. In 1974 they parted with Niemen and begin to play on their own&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;SBB - Antology 1974-2004. 22 CD Box Set&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This box is the most complex enterprise in the history of Polish rock phonographic industry. It contains all catalogue releases of SBB, all remastered and enriched with bonus tracks, plus 2 extra CDs with previously unreleased material. The 30-page booklet is an additional bonus - it contains loads of photos and facts documenting SBB rich history.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Featured albums:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1974 SBB&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1975 Nowy horyzont&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1975 Pamiec&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1977 Ze slowem biegne do Ciebie&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1977 Wolanie o brzek szkla&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1977 Jerzyk&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1977 Follow My Dream&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1977 Amiga Album&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1978 Welcome&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1980 Memento z banalnym tryptykiem&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1993 Live 1993&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1994 Live In America 94&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1999 Absolutely Live 98&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1999 W filharmonii: akt 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1999 W filharmonii: akt 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2000 Goodbye / The Golden Harp&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2001 Karlstad Live 75&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2001 Budai Ifjusagi Park Live 77&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2002 Nastroje&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2004 Goettingen, Alte Ziegelei 77&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Sikorki (previously unreleased tracks)*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Wicher w polu dmie (previously unreleased tracks)*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;All albums remastered and enhanced with over 60 bonus tracks!!!!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;*Sikorki and Wicher w polu dmie available exclusively in this box&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;19. Nastroje (2001)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-fRBl3Aft8MY/TwatYk9depI/AAAAAAAAA-c/5wOz2qAYjy4/s1600/19front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://4.bp.blogspot.com/-fRBl3Aft8MY/TwatYk9depI/AAAAAAAAA-c/5wOz2qAYjy4/s200/19front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 436MB | DATA 64MB | MP3 145MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Jozef Skrzek - keyboards, vocals, bass, harmonica&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Antymos Apostolis - guitars, keyboards, percussions, bass, voice on track 1;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Paul Wertico - drums, vocal on track 5;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;short biography of Paul Wertico from allmusic.com&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Influenced as much by Elvin Jones, Roy Haynes or Art Blakey as by Ginger Baker, Mitch Mitchell or Keith Moon, Paul Wertico is an all-around drummer who built his reputation as a colorist with Pat Metheny. Although Wertico learned to play the snare drum in grade school, he is self-taught on the drum kit. By age 15, he was already playing professionally with various rock and jazz bands and later his role as a star soloist with the Cary-Grove High School Band led to a music scholarship. In the early '70s, he left college and soon became a fixture of the Chicago music scene, playing and recording with a multitude of diverse artists including jazz saxophonist Joe Daley, ethnomusicologist Paul Berliner, blues-rock vocalist/guitarist Ellen McIlwaine, folk singer Terry Callier and the fusion-based imon &amp;amp; Bard Group. Always active in various realms of creative music, he most notably started two cooperative bands: Earwax Control with multi-instrumentalist Jeff Czech and keyboardist Gordon James, and Spontaneous Composition with multi-reed player Rich Corpolongo and bassist Doug Lofstrom. In 1983, Wertico replaced Danny Gottlieb in the Pat Metheny Group. A long and fruitful collaboration, including ten recordings, seven Grammy Awards and several gold records, ensued. Wertico left the group in 2001. During his tenure with the guitarist, he nurtured several of his own projects that would end up gaining exposure in the ‘90s. He also continued recording with many other artists including new age music pioneer Paul Winter, "word jazz" creator Ken Nordine, rock-fusion violinist Jerry Goodman and jazz vocalist Kurt Elling. In 1993, he recorded his first disc as a leader, The Yin And The Yout, featuring a legion of guest stars. Later, he went on to form the highly democratic Union Trio with pianist Laurence Hobgood and bassist Brian Torff, as well as releasing a drum duo recording with fellow percussionist Gregg Bendian. He also led various other combos, most notably the Paul Wertico Trio, a band that helped redefine fusion and includes guitarist John Moulder and bassist Eric Hochberg. Soon after leaving Metheny, Wertico joined a trio led by another prominent guitarist, Larry Coryell, and also became a member of the legendary Eastern European rock band, SBB. In parallel to his career as a musician, Paul Wertico has also remained quite active as a producer and an educator and clinician, a field he has always had a passion for&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. (pol. Muzyka, która jest w nas, jest ponad nami) (1:52)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Za nami wieki wojowników (pamięci Silesian Blues Band) (4:08)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. W ogrodzie snu (6:34)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. Pieśń stojącego w bramie (4:38)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. Knowing Where You Belong (4:37)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. Pisze to życie scenariusze (4:28)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7. ...or Whatever (5:17)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Całkiem spokojne zmęczenie (5:41)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9. W oceanie się zanurza Liverpool (2:40)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10. Star of Hope (pamięci Ryśka Riedla) (6:40)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11. Don't Look Back (9:22)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus tracks:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12. Całkiem spokojne zmęczenie (first mix) (8:13)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;video: Całkiem spokojne zmęczenie&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Total time with bonus: 64:10&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;All tracks recorded 7-18.11.2001 in Jazz'n'Java Studio, Koleczkowo (Poland)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;20. Gottingen, Alte Ziegelei (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-kJtwSmlbEFg/Twat-_VxFxI/AAAAAAAAA-k/RgXKyEwpGNk/s1600/20front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://3.bp.blogspot.com/-kJtwSmlbEFg/Twat-_VxFxI/AAAAAAAAA-k/RgXKyEwpGNk/s200/20front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 547MB | MP3 188MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jozef Skrzek / bass, piano, moog, vocals&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis / guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / percussion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Ze słowem biegnę do Ciebie - introdukcja&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Toczy się koło historii&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Wolność z nami - temat&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Światłowód&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. W kołysce dłoni Twych (Pretty Face)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Follow My Dream (instr.)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Follow Our Music - bass solo&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Odejście - finał&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Drums solo&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Freedom With Us&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11. Wołanie o brzęk szkła - finał&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;12. Coda&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;13. I Want Somebody (bonus track)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;21. Sikorki (2004)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-hTzzqNgukR4/TwauX8HtYpI/AAAAAAAAA-s/4w31soWtKMQ/s1600/21front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-hTzzqNgukR4/TwauX8HtYpI/AAAAAAAAA-s/4w31soWtKMQ/s200/21front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 510MB | MP3 187MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Jozef Skrzek - vocal, bass guitar, keyboards&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Antymos Apostolis - guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Jerzy Piotrowski - drums&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;quest musicians:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Tomasz Stanko - trumpet tracks 1;2;3;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Tomasz Szukalski - sopran sax tracks 4; 5; and tenor sax track 6;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Andrzej Przybialski - trumpet track 7;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Jan Bledowski - violin track 8;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. Bitwy na obrazach (9:08)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Z Tomaszem (21:37)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. Mój przyjaciel Moog (7:27)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Warszawa, June 1974&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. Sikorki (6:16)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. Wyjątek z "Pamięci" (3:50)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. Tydzień z Szakalem (9:26)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 10.06.1975 in Polish Radio Warszawa&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7. Pablo (9:56)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Gdaсsk, 1975&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Lula (11:41)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Warszawa, December 1973&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Total time: 79:21&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;22. Wicher w Polu Dmie, 1973-1975 (2004)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/--nbFhrQdgsQ/Twau1KMwybI/AAAAAAAAA-0/oFxju5Ni5I4/s1600/22front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/--nbFhrQdgsQ/Twau1KMwybI/AAAAAAAAA-0/oFxju5Ni5I4/s200/22front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 497MB | MP3 179MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Józef Skrzek / bass, piano, moog, vocals&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / percussion&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis / guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Additional musicians:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jan Błędowski / violin (1)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Andrzej Przybielski / tp (2)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. Wicher w polu dmie (19:21)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Warszawa, December 1973&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Dwie pogody, cz. II (6:01)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Gdansk, 1975&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. Obraz po bitwie (5:27)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. Erotyk (5:48)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. W samym środku nocy (9:40)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in 1974, from group's archive&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. Cięcie (6:06)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Warszawa, September 1974&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7. Z których krwi krew moja (11:42)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in Polish Radio Katowice, January 1975&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Figo-Fago (11:53)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 29.06.1974 on "Rock przez caly rok" show, XII KFPP Opole Festival '74&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Total Time: 75:58&lt;/span&gt;&lt;br /&gt;----------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;download links:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.fileserve.com/list/Zzh53jc" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileServe&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/0f8a7755b9e79fad/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filesonic.com/folder/456769" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileSonic&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://tinypaste.com/8eae754b" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;info&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;password:&amp;nbsp;&lt;span style="color: #cc0000;"&gt;sbb&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s1600/box-back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s320/box-back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd.html" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 01-06)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd_27.html" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 07-12)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-sbb-antology-1974-2004-22-cd.html" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 13-18)&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-7911483217406216668?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/7911483217406216668/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-sbb-antology-1974-2004-22-cd_06.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7911483217406216668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7911483217406216668'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-sbb-antology-1974-2004-22-cd_06.html' title='RE-post. SBB - Antology 1974-2004. 22 CD Box Set (CD 19-22)'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s72-c/box-front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-2871732288710016095</id><published>2012-01-02T07:04:00.000+01:00</published><updated>2012-01-02T08:03:51.573+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SBB'/><title type='text'>RE-post. SBB - Antology 1974-2004. 22 CD Box Set (CD 13-18)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s1600/box-front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="185" src="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s320/box-front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 13-18)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;EAC-RIP | FLACs, CUE, LOG | 6CD 2.9GB | MP3 (lame) CBR-320 V0 | 6CD 1GB | SCANS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Progressive Rock | Label: MMP | Catalog Number: MP22BOX001&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileServe.com, FileFactory.com, FileSonic.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;The most well-known Polish band in the Seventies! SBB contains a rich variety of influences, which include symphonic prog with intricate and fully orchestrated arrangements. The acoustic guitar adds a very interesting texture. Beauty of the keyboard parts, romantic sonorities of the piano parts and careful, aerial vocal parts brought this group close to PINK FLOYD, CAMEL or GENESIS. Some of their albums were released in West Germany and Czechoslovakia, and they are now active again. "Follow My Dream" and "Welcome" are probably their two best.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;SBB - Antology 1974-2004 - Absolutely unique collection of 22 albums by SBB, one of the best progressive bands ever!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;The box contains all catalogue releases of SBB plus some extras!!!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.sbb.pl/sbb/" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;SBB Off. Site&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Biography:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1.SBB is a legend. They started in 1971; then for two years they performed with Czeslaw Niemen (in the band Niemen). Eventually in 1974 the name was shortened to SBB (Search, Break, Build). Since 1974, Jozef Skrzek, Apostolis Antymos and Jerzy Piotrowski have recorded several albums in Poland and abroad and they played hundreds of gigs all around Europe, sharing the stages with such artists as Bob Marley (with whom they co-headlined Roskilde Festival in 1978), Elton John, Soft Machine, Mahavishnu Orchestra, Charles Mingus Dynasty, Jack Bruce Group, Thin Lizzy, Canned Heat, Omega or Klaus Szultze. In the beginning of the 90s they returned after 10-year silence and played series of concerts in USA.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;In 2000, drums in SBB were taken over by Paul Wertico. Considered one of the best drummers in the world, for the last 18 years he'd played in Pat Metheny Group, appearing on: First Circle, The Falcon and the Snowman, Still Life Talking, Letter from Home, Secret Story, The Road To You, We Live Here, Quartet, Imaginary Day. The band continues to play in this line-up to this day.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Fascinated by Mahavishnu Orchestra, SBB started searching for their own means of musical expression. As the time passed, the music calmed down, and the improvised, Hendrix-like moments were more and more often contrasted by softened compositions. Their style evolved into kind of progressive rock, in which one could hear influences of classical music as well as jazz-rock instrumental frenzy.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. SBB came into being in 1971 as Silesian Blues Band founded by Jozef Skrzek. (Skrzek was classicaly educated as a pianist but by the time of Silesian Blues Band he was a bassist renowned for his work with Breakout, the famous (in Poland, of course) Polish blues group.) The other members of the band were Jerzy Piotrowski (drums) and Apostolis Antymos (guitar). The trio made some radio recordings but it was very hard for them to break through into the Polish musical market. However, they were noticed by Czeslaw Niemen. (Nieman was sort of "king" of Polish rock. He became extremely famous in Poland in 60's, when he was performing pop and soul songs. In early 70's he turned to the experimental, progressive music balancing on the edge of rock and jazz. I can heartily recommend his 70's stuff. It is a truly progressive and original music). As a result, they joined him in the NIEMEN group, taking part in his artistic explorations and making music, which can be best described as 'impressionistic' and 'aleatoric' . Together they recorded Requiem dla Van Gogha (Requiem for Van Gogh) and Marionetki (Puppets), two records with truly unforgettable music. In 1974 they parted with Niemen and begin to play on their own&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;SBB - Antology 1974-2004. 22 CD Box Set:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This box is the most complex enterprise in the history of Polish rock phonographic industry. It contains all catalogue releases of SBB, all remastered and enriched with bonus tracks, plus 2 extra CDs with previously unreleased material. The 30-page booklet is an additional bonus - it contains loads of photos and facts documenting SBB rich history.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Featured albums:&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1974 SBB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1975 Nowy horyzont&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1975 Pamiec&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1977 Ze slowem biegne do Ciebie&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1977 Wolanie o brzek szkla&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1977 Jerzyk&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1977 Follow My Dream&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1977 Amiga Album&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1978 Welcome&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1980 Memento z banalnym tryptykiem&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1993 Live 1993&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1994 Live In America 94&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1999 Absolutely Live 98&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1999 W filharmonii: akt 1&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;1999 W filharmonii: akt 2&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2000 Goodbye / The Golden Harp&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2001 Karlstad Live 75&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2001 Budai Ifjusagi Park Live 77&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2002 Nastroje&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;2004 Goettingen, Alte Ziegelei 77&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sikorki (previously unreleased tracks)*&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Wicher w polu dmie (previously unreleased tracks)*&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;All albums remastered and enhanced with over 60 bonus tracks!!!!&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;*Sikorki and Wicher w polu dmie available exclusively in this box&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;13. Absolutely Live '98 (1999)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-0UrxXlc3hBo/TwFRYZJRUtI/AAAAAAAAA6Y/ZO4U0Epker8/s1600/13front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-0UrxXlc3hBo/TwFRYZJRUtI/AAAAAAAAA6Y/ZO4U0Epker8/s200/13front.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 545MB | MP3 179MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Apostolis Antymos / electric guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / drums&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jozef Skrzek / bass, piano, Moog, vocals&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;Unique in full meaning of the word. World class musicianship. New breath in 1998/99 Absolutely Life, younger bloodstream in the the music and band. Do not miss out the concert of SBB. The best line up was: Piotrowski, Skrzek, Apostolis, Rusek. Second best line up was Skrzek, Muzykant, Apostolis. But luck of bass guitar hinder the foundation of their music. But, still worth its weight in Gold!&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01 - Introdukcja&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02 - Odlot&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03 - Erotyk&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04 - Walking around the stormy bay&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05 - Memento z banalnym tryptykiem&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Going away 6-9&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06 - Freedom with us&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07 - 3rd reanimation&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08 - Going away&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;09 - (Zywiec) mountain melody&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10 - Singer, Oh Singer&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11 - Z ktуrych krwi krew moja&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 22.08.1998, Przystan, Gizycko (Poland)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;14. W Filharmoni, akt 1 (1999)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-y2IvNotYFBk/TwFTBzFnSQI/AAAAAAAAA6k/mVyLl6aPZzU/s1600/14front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-y2IvNotYFBk/TwFTBzFnSQI/AAAAAAAAA6k/mVyLl6aPZzU/s200/14front.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 413MB | MP3 152MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jozef Skrzek / bass, piano, moog, vocals&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis / guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / percussion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Introdukcja&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Odlot&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Erotyk&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Walkin' Around The Stormy Bay&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Rainbow Man&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Z ktorych krwi krew moja&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;bonus tracks:&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Erotyk&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Szczesliwi z miasta N.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Narodziny&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;15. W Filharmonii akt 2 (1999)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-U4kVxCAu1PA/TwFTesBQ06I/AAAAAAAAA6w/WCNC53kgWKk/s1600/15front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="195" src="http://1.bp.blogspot.com/-U4kVxCAu1PA/TwFTesBQ06I/AAAAAAAAA6w/WCNC53kgWKk/s200/15front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 503MB | MP3 174MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Jozef Skrzek - vocal, bass guitar, church organ, keyboards;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Antymos Apostolis - guitar, kettle-drum, tubural bells;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Miroslaw Muzykant - drums, kettle-drum, tubular bells, gong;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Quest in track 8 &amp;amp; 9:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Tadeusz Nalepa - guitar&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;This one is a second part of serie named W Filhormonii akt 1 &amp;amp; akt 2, 1st one and 2nd contains recording made in Bydgoszcz Philharmonic Hall...which is to be known as one of the greatest acoustic condition Hall in Europe and as bonus track live recording from Sala Kongresowa PKin in Warsaw where the quest musician was 'the father' of polish blues and former of Breakout (band where Jozef Skrzek was playing bass guitar) Tadeusz Nalepa.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Going Away 1-4&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01 - Freedom With Us&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02 - 3rd Reanimation&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03 - Going away&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04 - Zywiec Mountain Melody&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05 - Final&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06 - Singer, Oh Singer&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07 - Calkiem Spokojne Zmeczenie&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 15.11.1998 in Filharmonia Pomorska Bydgoszcz (Poland)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08 - Toczy Sie Kolo Historii (bonus track)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09 - Figo-Fago (bonus track)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 04.02.1999 in Sala Kongresowa PKiN Warszawa (Poland)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;16. Good Bye, SBB Live in Concert (2000)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-OYtHYxrhsfY/TwFUDgrbpAI/AAAAAAAAA68/lf83pOtpP-s/s1600/16front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://4.bp.blogspot.com/-OYtHYxrhsfY/TwFUDgrbpAI/AAAAAAAAA68/lf83pOtpP-s/s200/16front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 547MB | MP3 187MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Józef Skrzek / bass, piano, moog, vocals&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / percussion&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis / guitar&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Born To Die&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Wish&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Drum-battle&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Boogie&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Rainbow Man&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Odlot&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Paul&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;bonus tracks:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Previously released as "The Golden Harp" EP&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. The Golden Harp&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Bar Wah-Wah&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Least it's sunny&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11. Strawbury Jam&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;12. The Golden Harp (instrumental)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;17. Karlstad Live (2001)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-QP0DwX5r9sA/TwFUXDF0F3I/AAAAAAAAA7I/zcmof4_1oXs/s1600/17front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-QP0DwX5r9sA/TwFUXDF0F3I/AAAAAAAAA7I/zcmof4_1oXs/s200/17front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 471MB | MP3 165MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis / guitars&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski / drums, percussion&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jуzef Skrzek / keyboards, harmonica, vocals&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;An extremely inspired album. Very guitar oriented in the Mahavishnu-era, McLaughlin vein. Apostolis rules here and for a good reason, he is fantastic and this is my favourite recording by SBB. The distorted, often off-key, staccato guitar comes off convincingly - he is one of the masters of that - and there is a strong cohesion between the tracks. Pity, they declare at the beginning of the concert that it's a one-off that they'll never repeat.....&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Kind of symphonic rock, lending itself to much room for heartfelt improvisations.The compositions are very good and original and when I listen to the CD I often have to listen to it again, even for the third time. It grows on one. Very satisfying. Even with the odd moment of lull, it's still a desert island CD for me. They play with much joy and the trio creates a "wall of sound" which is truly amazing, considering the instruments available at that time. In spite of the guitar taking a prominent place - which is atypical to this extent - the soaring keyboards are very well represented, too. Thankfully, the somewhat overindulgent vocals on other releases are kept to a minimum here....&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;I've seen them performing live a few times and it was always the highlight of that period in my life Their offering - whilst often pleasing - is best measured by something of this album. It's full of raw passion, one of a kind. Don't miss it!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01 - Pretty Face;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02 - Born To Die;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03 - Clouds;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04 - Stormy Bay;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05 - Wonderful Sky-Ride (instr.);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06 - Return To The South;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 13.05.1975 In Karlstad, Sweden&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus Tracks:&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07 - Na Pierwszy Ogien&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08 - Figo-Fago&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 15.05.1975 In Kolback, Sweden&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;18. Budai Ifjusagi Park, Live (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-EBEOldFlzxk/TwFUu3Th9lI/AAAAAAAAA7U/mPs77znvtPg/s1600/18front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-EBEOldFlzxk/TwFUu3Th9lI/AAAAAAAAA7U/mPs77znvtPg/s200/18front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 489MB | MP3 164MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jуzef Skrzek: vocals, keyboards, harmonica&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Antymos Apostolis: guitar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;- Jerzy Piotrowski: percussion &amp;amp; drums&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;SBB has always been much better at live recordings than at painstaking mixes at the studio. They represented a "quiet revolution" behind the Iron Curtain, practically the only band that went well beyond the thinly veiled message in words, but more like a musical revolution! Few bands got away with largely improvised music there, SBB is one of the noteable exceptions. (They come from Poland.) They also established a genre in improvised trio performance and - naturally - followers. (The first incarnation of the Hungarian band EAST was one of them, but their album releases with forever changing line-up would not stand up to that anymore.)&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The concert was sensational - at that time and I was one in the audience! Hearing it again some 25 years later it didn't grab me first. Why? They have better stuff, that I am more enthused about. Still, a second listen delivered more pleasure and the third one is definitely confirming that it's something I wouldn't want to be without.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This trio delivers a powerhouse in performance, their live recordings often went beyond two hours of non-stop improvisations. Using relatively unsophisticated equipments, they worked even harder to bring out the most of the scarce resources. In the performance there are elements of ELP, Mahavishnu - also a drum solo that's worthy of Billy Cobham's envy... - and most importantly SBB - without copying their peers...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Budai Ifjusagi Park ( which means "Youth Park of Buda" in Hungary, Budapest) has been an open air concert venue under the romantic surrounds of the Old Castle. SBB visited there every year in my youth. It was always an event to look forward to.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This performance is worthy of your progressive attention, largely improvised with little vocals, all three performers are brilliant and can play in any genre to satisfaction. Here, the bandleader Josef Skrsek rules on keyboards, bass, harmonica and the odd vocals, leaving the absolutely exceptional guitar player Anthymos Apostolis to do quiet credible fills. Now, that guy is one of a kind and I implore you to hear his dominant performance on SBB - "Karlstad", another live performance by the band. There, he plays dissonant chords and solos that I don't hear from any other guitar player - ever. So, hop on your mail-order site and get it while you can. Still, this album is also worthy of one's attention - they don't play music like this anymore!!! Get it, too!.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Freedom With Us&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Wolanie o brzek szkla - final&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. (Carpathian) Mountain Melody&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Z ktorych krwi krew moja&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Follow My Dream (instr.)&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Follow Our Music - bass solo&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Odejscie - final&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Drums solo&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. I Want Somebody&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Shake Baby&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11. Born To Die&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;------------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;download links:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.fileserve.com/list/Zzh53jc" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileServe&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/0f8a7755b9e79fad/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filesonic.com/folder/456769" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileSonic&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://tinypaste.com/80a7f569" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;info&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;password:&amp;nbsp;&lt;span style="color: #cc0000;"&gt;sbb&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s1600/box-back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s320/box-back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd.html" target="_blank"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 01-06)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd_27.html" target="_blank"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 07-12)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-2871732288710016095?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/2871732288710016095/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-sbb-antology-1974-2004-22-cd.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/2871732288710016095'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/2871732288710016095'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2012/01/re-post-sbb-antology-1974-2004-22-cd.html' title='RE-post. SBB - Antology 1974-2004. 22 CD Box Set (CD 13-18)'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s72-c/box-front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-6642124767224822397</id><published>2011-12-30T09:32:00.002+01:00</published><updated>2011-12-30T09:33:36.745+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Peder af Ugglas'/><title type='text'>Peder af Ugglas - Beyond. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-jrroO6rFymw/Tv03L5Lb8YI/AAAAAAAAA3M/M5BD1rkHGzk/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="319" src="http://3.bp.blogspot.com/-jrroO6rFymw/Tv03L5Lb8YI/AAAAAAAAA3M/M5BD1rkHGzk/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 2.78GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 290MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Blues | Label: Opus 3 | Catalog Number: 22042&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Peder is back again! In his own write with his own music.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;On this album Peder brings his musical mind to the frontier. There are twelve soulful songs that do not need lyrics. All of them featuring Peder af Ugglas' superb technique on the piano, on the organ, on the guitar - slide or no slide - on the pots in the kitchen accompanied by a ...clock!&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0007ULK7U/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/4975" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Tracks 4-7 are inspired by Vilhelm Moberg's books "The Emigrants" and "The Last Letter Home".&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;This album will set a standard. Listen to it and you'll know what we mean.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_THSAdUn_b8/Tv03VkTf1EI/AAAAAAAAA3Y/8u36KERZDzI/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-_THSAdUn_b8/Tv03VkTf1EI/AAAAAAAAA3Y/8u36KERZDzI/s200/disc.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Beyond&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Exit&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:37&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Nightwaltz&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Decisions&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Exile&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:50&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Impressions&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Keep In Mind&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jag&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Tide&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Mist&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Captain's Call&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:58&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Fine&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;00:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Musicians:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Peder af Ugglas&lt;span style="font-style: italic;"&gt;, electric guitars &amp;amp; slide, acoustic guitars &amp;amp; slide, balalaika, keyboards, piano, Hammond B3 organ, &lt;/span&gt;Fender Rhodes&lt;span style="font-style: italic;"&gt;, pump organ, electric bass, percussion&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Bjorn Hamrin&lt;span style="font-style: italic;"&gt;, harmonica&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Matts Alsberg&lt;span style="font-style: italic;"&gt;, upright bass&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Mats Persson&lt;span style="font-style: italic;"&gt;, drums and percussion&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Henrik Wartel&lt;span style="font-style: italic;"&gt;, drums and percussion&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Stina Lundberg&lt;span style="font-style: italic;"&gt;, choir&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-bQlGeXy6Sg0/Tv03d_lVTgI/AAAAAAAAA3k/4ozL3gnDjBU/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="276" src="http://4.bp.blogspot.com/-bQlGeXy6Sg0/Tv03d_lVTgI/AAAAAAAAA3k/4ozL3gnDjBU/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/18589505" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/9df696e474770986/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/axpKmKz" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/597ff967" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-6642124767224822397?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/6642124767224822397/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/peder-af-ugglas-beyond-sacd-iso-cd.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6642124767224822397'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6642124767224822397'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/peder-af-ugglas-beyond-sacd-iso-cd.html' title='Peder af Ugglas - Beyond. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-jrroO6rFymw/Tv03L5Lb8YI/AAAAAAAAA3M/M5BD1rkHGzk/s72-c/front.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-3361081633523898592</id><published>2011-12-27T07:13:00.002+01:00</published><updated>2011-12-28T06:08:02.972+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SBB'/><title type='text'>RE-Post. SBB - Antology 1974-2004. 22 CD Box Set (CD 07-12)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s1600/box-front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="185" src="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s320/box-front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;EAC-RIP | FLACs, CUE, LOG | 6CD 3GB | MP3 (lame) CBR-320 V0 | 6CD 0.99GB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Progressive Rock | Label: MMP | Catalog Number: MP22BOX001&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileServe.com, FileFactory.com, FileSonic.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The most well-known Polish band in the Seventies! SBB contains a rich variety of influences, which include symphonic prog with intricate and fully orchestrated arrangements. The acoustic guitar adds a very interesting texture. Beauty of the keyboard parts, romantic sonorities of the piano parts and careful, aerial vocal parts brought this group close to PINK FLOYD, CAMEL or GENESIS. Some of their albums were released in West Germany and Czechoslovakia, and they are now active again. "Follow My Dream" and "Welcome" are probably their two best.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;SBB - Antology 1974-2004 - Absolutely unique collection of 22 albums by SBB, one of the best progressive bands ever!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The box contains all catalogue releases of SBB plus some extras!!!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sbb.pl/sbb/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;SBB Off. Site&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Biography:&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1.SBB is a legend. They started in 1971; then for two years they performed with Czeslaw Niemen (in the band Niemen). Eventually in 1974 the name was shortened to SBB (Search, Break, Build). Since 1974, Jozef Skrzek, Apostolis Antymos and Jerzy Piotrowski have recorded several albums in Poland and abroad and they played hundreds of gigs all around Europe, sharing the stages with such artists as Bob Marley (with whom they co-headlined Roskilde Festival in 1978), Elton John, Soft Machine, Mahavishnu Orchestra, Charles Mingus Dynasty, Jack Bruce Group, Thin Lizzy, Canned Heat, Omega or Klaus Szultze. In the beginning of the 90s they returned after 10-year silence and played series of concerts in USA.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;In 2000, drums in SBB were taken over by Paul Wertico. Considered one of the best drummers in the world, for the last 18 years he'd played in Pat Metheny Group, appearing on: First Circle, The Falcon and the Snowman, Still Life Talking, Letter from Home, Secret Story, The Road To You, We Live Here, Quartet, Imaginary Day. The band continues to play in this line-up to this day.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Fascinated by Mahavishnu Orchestra, SBB started searching for their own means of musical expression. As the time passed, the music calmed down, and the improvised, Hendrix-like moments were more and more often contrasted by softened compositions. Their style evolved into kind of progressive rock, in which one could hear influences of classical music as well as jazz-rock instrumental frenzy.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. SBB came into being in 1971 as Silesian Blues Band founded by Jozef Skrzek. (Skrzek was classicaly educated as a pianist but by the time of Silesian Blues Band he was a bassist renowned for his work with Breakout, the famous (in Poland, of course) Polish blues group.) The other members of the band were Jerzy Piotrowski (drums) and Apostolis Antymos (guitar). The trio made some radio recordings but it was very hard for them to break through into the Polish musical market. However, they were noticed by Czeslaw Niemen. (Nieman was sort of "king" of Polish rock. He became extremely famous in Poland in 60's, when he was performing pop and soul songs. In early 70's he turned to the experimental, progressive music balancing on the edge of rock and jazz. I can heartily recommend his 70's stuff. It is a truly progressive and original music). As a result, they joined him in the NIEMEN group, taking part in his artistic explorations and making music, which can be best described as 'impressionistic' and 'aleatoric' . Together they recorded Requiem dla Van Gogha (Requiem for Van Gogh) and Marionetki (Puppets), two records with truly unforgettable music. In 1974 they parted with Niemen and begin to play on their own&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;SBB - Antology 1974-2004. 22 CD Box Set:&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This box is the most complex enterprise in the history of Polish rock phonographic industry. It contains all catalogue releases of SBB, all remastered and enriched with bonus tracks, plus 2 extra CDs with previously unreleased material. The 30-page booklet is an additional bonus - it contains loads of photos and facts documenting SBB rich history.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Featured albums:&lt;/b&gt;&lt;br /&gt;1974 SBB&lt;br /&gt;1975 Nowy horyzont&lt;br /&gt;1975 Pamiec&lt;br /&gt;1977 Ze slowem biegne do Ciebie&lt;br /&gt;1977 Wolanie o brzek szkla&lt;br /&gt;1977 Jerzyk&lt;br /&gt;1977 Follow My Dream&lt;br /&gt;1977 Amiga Album&lt;br /&gt;1978 Welcome&lt;br /&gt;1980 Memento z banalnym tryptykiem&lt;br /&gt;1993 Live 1993&lt;br /&gt;1994 Live In America 94&lt;br /&gt;1999 Absolutely Live 98&lt;br /&gt;1999 W filharmonii: akt 1&lt;br /&gt;1999 W filharmonii: akt 2&lt;br /&gt;2000 Goodbye / The Golden Harp&lt;br /&gt;2001 Karlstad Live 75&lt;br /&gt;2001 Budai Ifjusagi Park Live 77&lt;br /&gt;2002 Nastroje&lt;br /&gt;2004 Goettingen, Alte Ziegelei 77&lt;br /&gt;Sikorki (previously unreleased tracks)*&lt;br /&gt;Wicher w polu dmie (previously unreleased tracks)*&lt;br /&gt;All albums remastered and enhanced with over 60 bonus tracks!!!!&lt;br /&gt;*Sikorki and Wicher w polu dmie available exclusively in this box&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;07. Follow My Dream (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-S0ehAu_0oVI/TvljZA5D4MI/AAAAAAAAAxY/TRB63Paiy1w/s1600/07front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://2.bp.blogspot.com/-S0ehAu_0oVI/TvljZA5D4MI/AAAAAAAAAxY/TRB63Paiy1w/s200/07front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 538MB | MP3 179MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Apostolis Antymos / electric guitar&lt;br /&gt;- Jerzy Piotrowski / drums&lt;br /&gt;- Jozef Skrzek / bass, piano, Moog, vocals&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This is a great album... it consists in two very long tracks, but beautifully made. almost instrumental, it has a very fluid but complex sound, with lots of different combinations of keyboard sounds and atmospheres, typically from the seventies, always changing and each time bringing new delightfull harmonies. Sometimes, there are some calm vocal parts from Skzrek, in polish, adding a dreamy atmosphere to the music. The guitar in this album is rare, at least as a lead instrument, but when Apostolis plays, he can grab all the attentions to his notes, which proves that is a discreet but a top notch guitar player. This is an essencial album, highly recommended, with a sound totally different from other bands, including polish bands. Excelent!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Going Away&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01 - Freedom With Us (8:12)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02 - 3rd Reanimation (6:13)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03 - Going Away (6:36)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04 - (Zywiec) Mountain Melody (3:08)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Follow My Dream&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05 - Wake Up (5:02)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06 - In The Cradle Of Your Hands(Song for Father) (2:45)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07 - Growin' (6:18)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08 - Follow My Dream (8:10)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 5-23.11 1977 in Tonkooperativ Studio Hannover (BRD)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus Tracks&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;09 - Krolewskie Marzenie (6:41)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Recorded in 1977 in Polish Radio Opole&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10 - Wiosenne chimery (15:54)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded 16-25.03.1978 in Polish Radio Katowice&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11 - Dla Przyjaciol (7:09)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Recorded in 1977 in Polish Radio Opole&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;08. Amiga (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-gNbnXWTjYnM/TvqhIDXqbII/AAAAAAAAA0M/kvMN_3f5B0Q/s1600/08front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://3.bp.blogspot.com/-gNbnXWTjYnM/TvqhIDXqbII/AAAAAAAAA0M/kvMN_3f5B0Q/s200/08front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 580MB | MP3 185MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Jozef Skrzek / bass, piano, moog, vocals&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Late 70's were no good to the Silesian Blues Band (SBB). From magnificent jazz-rock / symphonic prog albums really outstanding, the Polish band simplified their sound in some albums like this, also known as "Amiga" in which the listener will find some really nice tracks such as "Hektik", "Kala", "Mutraczka" and "Ouzo", all of them a bit closer of the musical gems of this band but still far from the better that you could listen from SBB...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. Tanzbar (3:09)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Magische Blaue Stunde (3:07)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. Hektik (3:08)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. 2:10 (2:08)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. Ouzo (4:58)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. Unterbrochene Erotik (2:54)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7. Kala (3:33)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Tumba (3:49)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9. Mutraczka (4:26)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10. Nr. 7 (5:05)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11. I Wonder Why (4:40)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;Bonus tracks:&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;12. Nervoser Nikolaus (5:15)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;13. Tom Cat (3:07)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;14. Gonitwa (2:33)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;15. Beci (3:33)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;16. Profesor Moog (3:18)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;17. Balon guma (5:38)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;18. Maskarada (4:11)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;19. Podróż (6:40)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;20. Trema (3:19)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Total time: 77:55&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;09. Welcome (1979)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-aD4JM_crJP8/Tvqhp_aYoDI/AAAAAAAAA0Y/j0mObVV-xHI/s1600/09front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://2.bp.blogspot.com/-aD4JM_crJP8/Tvqhp_aYoDI/AAAAAAAAA0Y/j0mObVV-xHI/s200/09front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 562MB | MP3 184MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Jozef Skrzek / bass guitar, Fender piano, Hammond organ, synthesisers, vocals&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Not as good as Pamięć or Ze Słowem Biegne Do Ciebie, but it is still very good prog album. The production is much better than on their earlier album. Thought they have relased better albums, this one is still worth listen. Walking Around The Stormy Bay, Lonelines and Last Man...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Walkin' Around The Stormy Bay (6:30)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Loneliness (5:25)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Why No Peace (6:04)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Welcome Warm Nights And Days (3:02)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Rainbow Man (3:38)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. How I Can Begin (7:00)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Last Man At The Station (9'29)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Bonus tracks:&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Rainbow Man (long version) (5:05)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9. Last Man At The Station (short version) (6:26)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10. Deszcz kroplisty, deszcz ulewny (4:02)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11. Tuż nad kanałem Ulgi (4:41)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12. 30 stopni w cieniu (5:26)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13. Przy okazji (6:39)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14. Mechaniczna skakanka (5:04)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;Total time: 78:31&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;10. Memento z Banalnym Tryptykiem (1980)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-ZyesQQDp-pg/TvqiMInTl9I/AAAAAAAAA0k/XyfZQPshOWo/s1600/10front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/-ZyesQQDp-pg/TvqiMInTl9I/AAAAAAAAA0k/XyfZQPshOWo/s200/10front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 348MB | MP3 121MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Józef Skrzek / bass, piano, moog, vocals&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Last before SBB break-up, this is definitive SBB album, and some says it may be definitive even for whole prog-rock. Talking about style, it may be compared with UK/Danger Money, but in my. opinion this one is much more fascinating and original. This album has incredible diverse sound, broading from orchestral through jazz-rock to blues, and every piece has its own climate (e.g . "Strategy of Pulse", which refers in some parts to early, Mahavishnu-influenced SBB, or "The Triangle of Joy" with mediterranean glimpses) , coparing with previous jazz-rock and electronic shaded SBB releases this one is more in symphonic-rock direction. Also more guitar-oriented than the predecessors, but with guitar in the best art-rock style. Additional guitarist (Slavomir Piwowar) gives more freedom for Anthimos virtuoso playing, and there we have beautiful acoustic (charming "The triangle of Joy","Memento with a banal Tryptych" ) and electric guitar work (soaring solos on "My Land of Dreams", "Triangle of Joy" and the title track, all of them considered by many as one of the best in rock), along with some dynamic riffs. Skrzek's keyboard and bass playing is as always, more than excellent, and Piotrowski on drums is a class for his own. Unfortunately, this is less known than "western" Welcome and Follow My Dream albums. Absolutely must-have&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. Moja ziemio wyśniona (My Land Of Dreams) (8:39)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Trójkąt radości (The Triangle Of Joy) (7:48)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. Strategia pulsu (Strategy Of Pulse) (3:29)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. Memento z banalnym tryptykiem (Memento With A Banal Tryptych) (20:56)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;Bonus track (CD):&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. Z których krwi krew moja (10:40)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;Total time: 51:32&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;11. Live 1993 (1994)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-dIldj4qrtQ8/Tvqim2v_ONI/AAAAAAAAA0w/2-IbJ5njmZU/s1600/11front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://2.bp.blogspot.com/-dIldj4qrtQ8/Tvqim2v_ONI/AAAAAAAAA0w/2-IbJ5njmZU/s200/11front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 592MB | MP3 187MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Antymos Apostolis / guitars&lt;br /&gt;- Jerzy Piotrowski / drums, percussion&lt;br /&gt;- Jуzef Skrzek / keyboards, harmonica, vocals&lt;br /&gt;- Janusz Hryniewicz / acoustic guitar, backing vocals&lt;br /&gt;- Andrzej Rusek / bass&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01 - I Need You, Baby&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02 - Odlot&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03 - Z ktorych krwi krew moja&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04 - Walkin' Around The Stormy Bay&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Going Away 5-7&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05 - Freedom With Us&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06 - 3rd Reanimation&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07 - Going Away&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08 - Singer, Oh Singer&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09 - Follow My Dream&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10 - Hung-under&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11 - Figo-Fago&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12 - Erotyk&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;Recorded 19.06.1993 in "SPODEK" Katowice&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;12. Live in America 94 (1994)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qZ_D_DDe6Fo/TvqjB-4LgbI/AAAAAAAAA08/qOiEUNoDY5g/s1600/12front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="197" src="http://2.bp.blogspot.com/-qZ_D_DDe6Fo/TvqjB-4LgbI/AAAAAAAAA08/qOiEUNoDY5g/s200/12front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;FLACs 465MB | MP3 157MB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up&lt;/b&gt;&lt;br /&gt;- Jуzef Skrzek: vocals, keyboards, harmonica&lt;br /&gt;- Antymos Apostolis: guitar&lt;br /&gt;- Jerzy Piotrowski: percussion &amp;amp; drums&lt;br /&gt;Guest musicians:&lt;br /&gt;- Janusz Hryniewicz: guitar, vocals&lt;br /&gt;- Andrzej Rusek: bass&lt;br /&gt;- Kim: vocals&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Follow my dream&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Hung-under&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Wish&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Singer, Oh Singer&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Drzewko oliwne&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Freedom with Us&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Basie&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;bonus tracks:&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. Oak Theatre&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9. Swinging Blues SBB&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10. Erotyk&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11. Figo-Fago&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;------------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;download links:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.fileserve.com/list/Zzh53jc" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileServe&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/0f8a7755b9e79fad/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filesonic.com/folder/456769" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileSonic&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://tinypaste.com/cf42eae4" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;info&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;password:&amp;nbsp;&lt;span style="color: #cc0000;"&gt;sbb&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s1600/box-back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s320/box-back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd.html" target="_blank"&gt;SBB - Antology 1974-2004. 22 CD Box Set (CD 01-06)&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-3361081633523898592?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/3361081633523898592/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd_27.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3361081633523898592'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3361081633523898592'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd_27.html' title='RE-Post. SBB - Antology 1974-2004. 22 CD Box Set (CD 07-12)'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s72-c/box-front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-87031589235945609</id><published>2011-12-26T10:25:00.000+01:00</published><updated>2011-12-27T07:08:51.749+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SBB'/><title type='text'>RE-Post. SBB - Antology 1974-2004. 22 CD Box Set (CD 01-06)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s1600/box-front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="185" src="http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s320/box-front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;EAC-RIP | FLACs, CUE, LOG | 6CD 3GB | MP3 (lame) CBR-320 V0 | 6CD 1GB | SCANS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Progressive Rock | Label: MMP | Catalog Number: MP22BOX001&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileServe.com, FileFactory.com, FileSonic.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The most well-known Polish band in the Seventies! SBB contains a rich variety of influences, which include symphonic prog with intricate and fully orchestrated arrangements. The acoustic guitar adds a very interesting texture. Beauty of the keyboard parts, romantic sonorities of the piano parts and careful, aerial vocal parts brought this group close to PINK FLOYD, CAMEL or GENESIS. Some of their albums were released in West Germany and Czechoslovakia, and they are now active again. "Follow My Dream" and "Welcome" are probably their two best.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;SBB - Antology 1974-2004 - Absolutely unique collection of 22 albums by SBB, one of the best progressive bands ever!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The box contains all catalogue releases of SBB plus some extras!!!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sbb.pl/sbb/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;SBB Off. Site&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Biography:&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1.SBB is a legend. They started in 1971; then for two years they performed with Czeslaw Niemen (in the band Niemen). Eventually in 1974 the name was shortened to SBB (Search, Break, Build). Since 1974, Jozef Skrzek, Apostolis Antymos and Jerzy Piotrowski have recorded several albums in Poland and abroad and they played hundreds of gigs all around Europe, sharing the stages with such artists as Bob Marley (with whom they co-headlined Roskilde Festival in 1978), Elton John, Soft Machine, Mahavishnu Orchestra, Charles Mingus Dynasty, Jack Bruce Group, Thin Lizzy, Canned Heat, Omega or Klaus Szultze. In the beginning of the 90s they returned after 10-year silence and played series of concerts in USA.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;In 2000, drums in SBB were taken over by Paul Wertico. Considered one of the best drummers in the world, for the last 18 years he'd played in Pat Metheny Group, appearing on: First Circle, The Falcon and the Snowman, Still Life Talking, Letter from Home, Secret Story, The Road To You, We Live Here, Quartet, Imaginary Day. The band continues to play in this line-up to this day.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Fascinated by Mahavishnu Orchestra, SBB started searching for their own means of musical expression. As the time passed, the music calmed down, and the improvised, Hendrix-like moments were more and more often contrasted by softened compositions. Their style evolved into kind of progressive rock, in which one could hear influences of classical music as well as jazz-rock instrumental frenzy.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. SBB came into being in 1971 as Silesian Blues Band founded by Jozef Skrzek. (Skrzek was classicaly educated as a pianist but by the time of Silesian Blues Band he was a bassist renowned for his work with Breakout, the famous (in Poland, of course) Polish blues group.) The other members of the band were Jerzy Piotrowski (drums) and Apostolis Antymos (guitar). The trio made some radio recordings but it was very hard for them to break through into the Polish musical market. However, they were noticed by Czeslaw Niemen. (Nieman was sort of "king" of Polish rock. He became extremely famous in Poland in 60's, when he was performing pop and soul songs. In early 70's he turned to the experimental, progressive music balancing on the edge of rock and jazz. I can heartily recommend his 70's stuff. It is a truly progressive and original music). As a result, they joined him in the NIEMEN group, taking part in his artistic explorations and making music, which can be best described as 'impressionistic' and 'aleatoric' . Together they recorded Requiem dla Van Gogha (Requiem for Van Gogh) and Marionetki (Puppets), two records with truly unforgettable music. In 1974 they parted with Niemen and begin to play on their own&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;SBB - Antology 1974-2004. 22 CD Box Set:&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This box is the most complex enterprise in the history of Polish rock phonographic industry. It contains all catalogue releases of SBB, all remastered and enriched with bonus tracks, plus 2 extra CDs with previously unreleased material. The 30-page booklet is an additional bonus - it contains loads of photos and facts documenting SBB rich history.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Featured albums:&lt;/b&gt;&lt;br /&gt;1974 SBB&lt;br /&gt;1975 Nowy horyzont&lt;br /&gt;1975 Pamiec&lt;br /&gt;1977 Ze slowem biegne do Ciebie&lt;br /&gt;1977 Wolanie o brzek szkla&lt;br /&gt;1977 Jerzyk&lt;br /&gt;1977 Follow My Dream&lt;br /&gt;1977 Amiga Album&lt;br /&gt;1978 Welcome&lt;br /&gt;1980 Memento z banalnym tryptykiem&lt;br /&gt;1993 Live 1993&lt;br /&gt;1994 Live In America 94&lt;br /&gt;1999 Absolutely Live 98&lt;br /&gt;1999 W filharmonii: akt 1&lt;br /&gt;1999 W filharmonii: akt 2&lt;br /&gt;2000 Goodbye / The Golden Harp&lt;br /&gt;2001 Karlstad Live 75&lt;br /&gt;2001 Budai Ifjusagi Park Live 77&lt;br /&gt;2002 Nastroje&lt;br /&gt;2004 Goettingen, Alte Ziegelei 77&lt;br /&gt;Sikorki (previously unreleased tracks)*&lt;br /&gt;Wicher w polu dmie (previously unreleased tracks)*&lt;br /&gt;All albums remastered and enhanced with over 60 bonus tracks!!!!&lt;br /&gt;*Sikorki and Wicher w polu dmie available exclusively in this box&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;01. SBB (1974)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-5tFgGzfimHA/Tvg3o00uG8I/AAAAAAAAAvg/5gJNrpHZiUo/s1600/01front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://1.bp.blogspot.com/-5tFgGzfimHA/Tvg3o00uG8I/AAAAAAAAAvg/5gJNrpHZiUo/s200/01front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 541MB | MP3 187MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;- Apostolis Antymos / electric guitar&lt;br /&gt;- Jerzy Piotrowski / drums&lt;br /&gt;- Jozef Skrzek / bass, piano, Moog, vocals&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This must be one of the best - if not THE BEST - live albums released by a group from Poland and in Poland we have plenty of fantastic bands from the progressive genre but none of them even got close to this live masterpiece album. Recorded in Student's Club Stodoła (The Barn) this album is packed with awe-inspiring guitar solos, guitar-bass duels and hypnotic drums playing. The backbone of this gig are the improvisations which are nicely built around several short compositions and give the feeling of one giant flowing piece of music. The compositions on this debut SBB album are so significant that the band was coming back to them during the next three decades as performing and recording ensemble. This album can easily be put on a shelf with giants like Made In Japan or The Song Remains The Same and to be frank, for me this SBB album is the winner among any other live album ever recorded. Hats off.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. I Need You Baby (4:39)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Odlot (incl. Odleciec z wami) (14:39)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Wizje (incl. Erotyk) (18:50)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Zostalo we mnie (5:44)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Wicher w polu dmie [Obraz po bitwie] (13:54)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Figo-Fago (13:09)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus tracks:&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Toczy sie kolo historii (8:35)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Total time: 79:30&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;02. Nowy Horyzont (1975)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-6BzZCamc8DQ/Tvg4AAPh3LI/AAAAAAAAAvs/vN7cbzazqL8/s1600/02front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-6BzZCamc8DQ/Tvg4AAPh3LI/AAAAAAAAAvs/vN7cbzazqL8/s200/02front.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 519MB | MP3 180MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;- Jozef Skrzek / bass, piano, moog, vocals&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;It really IS a masterpiece, and IMHO their best album, ex aequo with "Pamiec". Raw, progressive, fusion improvisations, heavy (sometimes they sound like early Sabbath) riffs, psychedelic guitar, incredibly thick drum parts and whirling moogs perfectly compiled with gentle piano parts by Jуzef Skrzek. The general sound of the album reminds me of ELP's early tracks, such as "Tank", "Take a pebble", "Trilogy" etc.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The reason why I didn't give 'em five stars is the somewhat irritating melo-recitation track "Ballda o 5 glodnych", probably inspired by The Doors' "Horse Lattitudes". Well, one might like it. Personally, I'm not sure... The track causes a particularly negative thing to an album, which, in spite of the fact that is compilled of five or six single tracks with their own, autonomic structure, sounds as a one, long, half-improvised piece of music, an endless river of sound, which, somewhere in the middle of the cd, breaks to reveal a mixture psychedelically chaotic noises, whispers and screams (even if the poem is quite good)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Na Pierwszy Ogien (Curtain Raiser) 3:15&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Blysk (A Flash) 2:45&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Nowy Horyzont (The New Horizon) 7:47&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Ballada O Pieciu Glodnych (A Ball 3:55&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Wolnosc Z Nami (Freedom With Us) 20:00&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus tracks&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Xeni (6:39)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Penia (15:59)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Dyskoteka (6:55)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Na Pierwszy Ogien (6:49)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;03. Pamiec (1976)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-TnvUgfd7hy4/Tvg6RhbSX-I/AAAAAAAAAv4/sgqaURwe3Tg/s1600/03front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-TnvUgfd7hy4/Tvg6RhbSX-I/AAAAAAAAAv4/sgqaURwe3Tg/s200/03front.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 519MB | MP3 177MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;- Jozef Skrzek / bass guitar, Fender piano, Hammond organ, synthesisers, vocals&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;A warning. This album has the power to grow on one after repeated listening. Three long tunes with beautiful vocal melodies and skillful instrumental passages offer symphonic rock at it's best. The drummer Jerzy Piotrowski deserves special mention again. Here, he creates exceptionally pleasing grooves that are one of a kind. The vocals are perhaps the best I've ever heard from Josef Skrzek on any SBB release. Not a second of his usually indulgent and often boring style here, but heartfelt and haunting melodies. Truly elevating. Apostolis, whose very unique and sensational "staccato" approach to the guitar is simply worth living for takes a back seat here, allowing the melodies to dominate. What a gentleman! (You'll have to get "Karlstad" to hear him in his element.)&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;OK, so why not 5 stars? SBB is prone to indulge in spacey soundscapes that in musical terms offer little interest. All of the tracks here take a while before they get going, requiring the listener's patience. Still, it's well worth persevering, very close to 5 stars&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;SBB are architects of an irresistable cosmic prog sound, as long as you pick up the key albums from the '70s. 'Pamiec' is one of their best.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Even though SBB's music isn't extremely complicated or difficult doesn't make them any less captivating to even the most demanding ears. The dramatic qualities and the patience they exercise in building their songs are wonderful elements of their style. 'Pamiec' consists of three lengthy songs, each a fine representation of the band's style: jazzy, cosmic, synth-dominant, dramatic, it's all here, with occasional flurries of kinetic storms from drummer Jerzy Piotrowski and generally unpredictable dynamics. Mainman and bassist/keyboardist/vocalist Jozef Skrzek is cleary the guiding light, though he gives the other members plenty of room to move around. His vocals are full of conviction, sometimes fragile, sometimes triumphant, usually carrying a kind of lamenting/melancholy tone.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Some moments are crushingly beautiful ("From Whose Blood My Blood") and some are frightening in their dynamic range (the side-long "Memory Grows Into Stone"). The sounds are all an analog-loving synth-enthusiast could ask for, but it's so much more than just a showcase for Skrzek, as his compositions shine brightly throughout this eventful album, and the band chemistry reaches peak points all over the place. The instrumental balance is another highlight, guitar given plenty of presence amidst the other sounds, nothing ever battling for the spotlight, all of it working toward the strength of the song. Perhaps I should give this a 5, but I'll hold back since I'm not familiar enough with SBB's daunting catalog...maybe there's another masterpiece out there more worthy of that rating. So, 4.5++. But who cares about numbers: this is an album any enthusiast of prog's grand '70s era must own.&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. W kołysce dłoni twych (In The Cradle Of Your Hands (To My Father)) (Ojcu) (9:09)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Z których krwi krew moja (From Whose Blood, My Blood) (10:14)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Pamięć w kamień wrasta (Memory Grows Into Stone) (19:50)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bonus tracks&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Poranek nadziei (4:30)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Barwy drzewa (2:01)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Osiem rąk (4:40)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Waldie (9:13)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Niedokończona progresja (6:24)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Reko-reko (4:31)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Serenada Gia Sena (4:54)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Total time : 75:26&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;04. Ze Slowem Biegne do Ciebie (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zLwq1NeUvIk/Tvg7E5VIgNI/AAAAAAAAAwE/pZTazkCeYCA/s1600/04front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/-zLwq1NeUvIk/Tvg7E5VIgNI/AAAAAAAAAwE/pZTazkCeYCA/s200/04front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 467MB | MP3 169MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;- Józef Skrzek / bass, piano, moog, vocals&lt;br /&gt;- Jerzy Piotrowski / percussion&lt;br /&gt;- Antymos Apostolis / guitar&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Another amazing album from this band... In the same vein of "Slovenian Girls" and "Follow my Dream". Again, two long tracks, fantastic combinations of sounds, keyboards and guitar. The sonority is unique, without doubt, one of the best bands from the seventies, and certainly the best from Pola...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Ze słowem biegnę do ciebie (19:14)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Przed premierą (19:29)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Bonus track:&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Odejście:&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Tęsknota / Wyzwolenie / Odejście / Rozłam / Pojednanie (29:07)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Total time: 67:50&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;05. Wolanie O Brzek Szkla (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-N7mOIRoxjT4/Tvg74tii-YI/AAAAAAAAAwQ/azS-e0SgyYM/s1600/05front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-N7mOIRoxjT4/Tvg74tii-YI/AAAAAAAAAwQ/azS-e0SgyYM/s200/05front.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 526MB | MP3 184MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;Jуzef Skrzek / vocals, keyboards, harmonica&lt;br /&gt;Apostolis Antymos / guitars&lt;br /&gt;Jerzy Piotrowski / drums, percussion&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01 - Wolanie o brzek szkla (19:10);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02 - Odejscie (19:47);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Recorded 12-22.04.1977 in Mozarteum Studio, Praha (Czechoslovakia)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03 - Bitwy na obrazach (bonus Track) (03:48);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04 - Uscisk w doіku (bonus Track) (03:38);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Recorded 12-22.04.1977 in Mozarteum Studio, Praha (Czechoslovakia), Previously released on single play in 1978&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05 - Muzykowanie latem (bonus Track) (16:50);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06 - Fikolek (bonus Track) (14:53);&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Recorded in 1976, from group's archive&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;06. Jerzyk (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-W62SHCAwQiU/Tvg8ROMolXI/AAAAAAAAAwc/cRIOuBBl_9k/s1600/06front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="197" src="http://3.bp.blogspot.com/-W62SHCAwQiU/Tvg8ROMolXI/AAAAAAAAAwc/cRIOuBBl_9k/s200/06front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;FLACs 532MB | MP3 183MB | SCANS&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Line-up:&lt;/b&gt;&lt;br /&gt;Jуzef Skrzek / vocals, keyboards, harmonica&lt;br /&gt;Apostolis Antymos / guitars&lt;br /&gt;Jerzy Piotrowski / drums, percussion&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trackslisting:&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. Jerzyk (3:23)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. Kijek (3:33)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. Oddech (5:56)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. Taniec Bulibara (4:29)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Garbusek (2:41)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Palamakia (6:57)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Wołanie o podkład (4:08)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;8. Janek (3:52)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;9. Władkowa kołysanka (4:53)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Bonus tracks:&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Debiut Kety (4:01)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11. 11 traktów (4:06)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;12. Renia (3:11)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;13. Mutraczka (1st version) (4:55)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;14. Jak było tak było ale było (6:31)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;15. Cierpiarz (3:49)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;16. Ouzo (1st version) (4:38)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;17. Uścisk w dołku (1st version) (6:51)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;Total time with bonuses: 77:54&lt;br /&gt;------------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;download links:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.fileserve.com/list/Zzh53jc" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileServe&lt;/b&gt;&lt;/span&gt;&lt;/a&gt; | &lt;a href="http://www.filefactory.com/f/0f8a7755b9e79fad/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/span&gt;&lt;/a&gt; | &lt;a href="http://www.filesonic.com/folder/456769" target="_blank"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;FileSonic&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://tinypaste.com/0b2b1d20" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;info&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;password: &lt;span style="color: #cc0000;"&gt;sbb&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s1600/box-back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-P0cBrpxAzLU/Tvg8kBdKv3I/AAAAAAAAAwo/ILbjh54o2ZI/s320/box-back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-87031589235945609?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/87031589235945609/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/87031589235945609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/87031589235945609'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-sbb-antology-1974-2004-22-cd.html' title='RE-Post. SBB - Antology 1974-2004. 22 CD Box Set (CD 01-06)'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VZdyyNTFRE0/Tvg2fZLZMYI/AAAAAAAAAvU/XzQpvIvwrkE/s72-c/box-front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-792878730943535589</id><published>2011-12-24T08:30:00.000+01:00</published><updated>2011-12-29T07:22:17.603+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Lex Vandyke'/><title type='text'>Lex Vandyke - Historia De Un Amor. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-XK8Pkl7_lsw/TvV68Mf9z_I/AAAAAAAAAto/naHnKl_cI1Q/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="319" src="http://3.bp.blogspot.com/-XK8Pkl7_lsw/TvV68Mf9z_I/AAAAAAAAAto/naHnKl_cI1Q/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0 | 848B&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 291MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span style="background-color: transparent;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Instrumental&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;| Label:&amp;nbsp;Top Music International&amp;nbsp;| Catalog Number: 22042&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;These instrumental performances by guitarist Lex Vandyke concentrate on guitar interpretations of Latin-American tunes and songs. The relationship between Latin America and the guitar is a long-standing and important one: the instrument came to Latin America with the Spanish conquerors and, when mixed with other musical elements notably those of African origin became crucial to many of the major styles of Latin music. Given the guitar's roots both in North American Arab culture, and in the ancient music of Egypt (as well the persistence of its relatives in sub-Saharan African cultures), there may be no coincidence in the fact that the music of West African slaves and Spanish folk and classical guitar styles mingled in such exciting and productive ways in the Latin-music favorites featured on this collection.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.topmusic.com/ud-sacd8930.2.htm" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;topmusic.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/3838" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-7uworh8S2CQ/TvV-G-UXZbI/AAAAAAAAAuA/8UDe22Vrqv0/s1600/audph1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="36" src="http://3.bp.blogspot.com/-7uworh8S2CQ/TvV-G-UXZbI/AAAAAAAAAuA/8UDe22Vrqv0/s400/audph1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Quizas, Quizas, Quizas&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Historia De Un Amor&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Guantanamera&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:06&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Tres Palabras&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Acercate Mas&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;media Vuelta&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:32&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Aquellos Ojos Verdes&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:13&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Por Un Amor&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:57&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Adios, Mariquita Linda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Solamente Una Vez&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Ansiedad&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:05&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Nosotros&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:42&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Piel Canela&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:24&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Y...&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sabor A Mi&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Noche De Ronda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Caminito&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cuando Vuelva A Tu Lado&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:38&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Di Que No Es Verdad&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;La Ultima Noche&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:54&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-JW4hQRp06Rc/TvV9w0Y0ybI/AAAAAAAAAt0/StcJmHN8fhk/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="http://3.bp.blogspot.com/-JW4hQRp06Rc/TvV9w0Y0ybI/AAAAAAAAAt0/StcJmHN8fhk/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/18083495" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/1ed802fca24f2960/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/7tejNaM" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-792878730943535589?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/792878730943535589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/lex-vandyke-historia-de-un-amor-sacd.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/792878730943535589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/792878730943535589'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/lex-vandyke-historia-de-un-amor-sacd.html' title='Lex Vandyke - Historia De Un Amor. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-XK8Pkl7_lsw/TvV68Mf9z_I/AAAAAAAAAto/naHnKl_cI1Q/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-3139526757198264514</id><published>2011-12-22T07:49:00.000+01:00</published><updated>2011-12-22T07:50:11.362+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lynyrd Skynyrd'/><title type='text'>RE-Post. Lynyrd Skynyrd - Sounds of South MCA Years (1973-1988) Japan Limited Press PROMO 7 titles (8 Mini-LP CD) BOX</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-G4Q4uqf5f34/TvLSIuCGOPI/AAAAAAAAAsU/wp6ttfyziv8/s1600/box.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-G4Q4uqf5f34/TvLSIuCGOPI/AAAAAAAAAsU/wp6ttfyziv8/s320/box.jpeg" width="308" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;eac/cue/log/flacs/covers | 8CD 3,36GB&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Rock | RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Limited Edition eight CD box set featuring Lynyrd Skynyrd's original MCA albums digitally remastered and expanded and housed in miniature LP sleeves. Included in this box are: Pronounced Leh-Nerd Skin-Nerd (1973/five bonus tracks), Second Helping (1974/three bonus tracks), Nuthin' Fancy (1975/two bonus tracks), Gimme Back My Bullets (1976/two bonus tracks), the two disc One More For The Road (1976/eight bonus tracks), Street Survivors (1977/five bonus tracks) and Southern By The Grace Of God: Lynyrd Skynyrd Tribute Tour Vol. One. Universal.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Ronnie Van Zant - lead vocals&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Gary Rossington - lead &amp;amp; rhythm guitars&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Allen Collins - lead &amp;amp; rhythm guitars&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Billy Powell - keyboards&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Leon Wilkeson - bass, backing vocals&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Artimus Pyle - drums&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Steve Gaines - guitar&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;and&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Leslie Hawkins - backing vocals&lt;/b&gt;&lt;br /&gt;&lt;b&gt;JoJo Billingsley - backing vocals&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Cassie Gaines - backing vocals&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 1 - Pronounced Leh-Nerd Skin-Nerd (1973)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-4Hi_k9xuwx8/TvK1obGnZVI/AAAAAAAAArA/KG_xJldzRMM/s1600/01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://1.bp.blogspot.com/-4Hi_k9xuwx8/TvK1obGnZVI/AAAAAAAAArA/KG_xJldzRMM/s320/01.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;01. I Ain't the One&lt;/i&gt;&lt;br /&gt;&lt;i&gt;02. Tuesday's Gone&lt;/i&gt;&lt;br /&gt;&lt;i&gt;03. Gimme Three Steps&lt;/i&gt;&lt;br /&gt;&lt;i&gt;04. Simple Man&lt;/i&gt;&lt;br /&gt;&lt;i&gt;05. Things Goin' On&lt;/i&gt;&lt;br /&gt;&lt;i&gt;06. Mississippi Kid&lt;/i&gt;&lt;br /&gt;&lt;i&gt;07. Poison Whiskey&lt;/i&gt;&lt;br /&gt;&lt;i&gt;08. Free Bird&lt;/i&gt;&lt;br /&gt;Bonus tracks:&lt;br /&gt;&lt;i&gt;09. Mr. Banker [Demo Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;10. Down South Jukin' [Demo Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;11. Tuesday's Gone [Demo Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;12. Gimme Three Steps [Demo Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;13. Free Bird [Demo Version]&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 2 - Second Helping (1974)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-YmosXtuHoFY/TvK2AxAmvSI/AAAAAAAAArM/_D6-kzfwIRg/s1600/02.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/-YmosXtuHoFY/TvK2AxAmvSI/AAAAAAAAArM/_D6-kzfwIRg/s320/02.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;01. Sweet Home Alabama&lt;/i&gt;&lt;br /&gt;&lt;i&gt;02. I Need You&lt;/i&gt;&lt;br /&gt;&lt;i&gt;03. Don't Ask Me No Questions&lt;/i&gt;&lt;br /&gt;&lt;i&gt;04. Workin' for MCA&lt;/i&gt;&lt;br /&gt;&lt;i&gt;05. Ballad of Curtis Loew&lt;/i&gt;&lt;br /&gt;&lt;i&gt;06. Swamp Music&lt;/i&gt;&lt;br /&gt;&lt;i&gt;07. Needle and the Spoon&lt;/i&gt;&lt;br /&gt;&lt;i&gt;08. Call Me the Breeze&lt;/i&gt;&lt;br /&gt;Bonus tracks:&lt;br /&gt;&lt;i&gt;09. Don't Ask Me No Questions [Single Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;10. Was I Right or Wrong [Sounds Of The South demo version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;11. Take Your Time [Sounds Of The South demo version]&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 3 - Nuthin' Fancy (1975)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-apTVa4XgZEE/TvLP7RZPeXI/AAAAAAAAArY/2R8TqJFFSCI/s1600/03.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://3.bp.blogspot.com/-apTVa4XgZEE/TvLP7RZPeXI/AAAAAAAAArY/2R8TqJFFSCI/s320/03.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;01. Saturday Night Special&lt;br /&gt;02. Cheatin' Woman&lt;br /&gt;03. Railroad Song&lt;br /&gt;04. I'm a Country Boy&lt;br /&gt;05. On the Hunt&lt;br /&gt;06. Am I Losin'&lt;br /&gt;07. Made in the Shade&lt;br /&gt;08. Whiskey Rock-A-Roller&lt;br /&gt;Bonus tracks:&lt;br /&gt;09. Railroad Song [Live at Winterland, San Francisco, April 27th 1975]&lt;br /&gt;10. On the Hunt [Live at Winterland, San Francisco, April 27th 1975]&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 4 - Gimme Back My Bullets (1976)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-maLyoVqVAl8/TvLQOd2fy1I/AAAAAAAAArk/SJ8kIr8O7kM/s1600/04.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-maLyoVqVAl8/TvLQOd2fy1I/AAAAAAAAArk/SJ8kIr8O7kM/s320/04.jpeg" width="316" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;01. Gimme Back My Bullets&lt;br /&gt;02. Every Mother's Son&lt;br /&gt;03. Trust&lt;br /&gt;04. I Got the Same Old Blues&lt;br /&gt;05. Double Trouble&lt;br /&gt;06. Roll Gypsy Roll&lt;br /&gt;07. Searching&lt;br /&gt;08. Cry for the Bad Man&lt;br /&gt;09. All I Can Do Is Write About It&lt;br /&gt;Bonus tracks:&lt;br /&gt;10. Gimme Back My Bullets [Live]&lt;br /&gt;11. Cry for the Bad Man [Live]&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 5 &amp;amp; 6 - One More From The Road (2-disc set)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vHFhG3SqS5k/TvLQkHGKSNI/AAAAAAAAArw/FLFYtucrzWM/s1600/05.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://3.bp.blogspot.com/-vHFhG3SqS5k/TvLQkHGKSNI/AAAAAAAAArw/FLFYtucrzWM/s320/05.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;CD1:&lt;/b&gt;&lt;br /&gt;01. Introduction/Workin' for MCA&lt;br /&gt;02. I Ain't the One&lt;br /&gt;03. Saturday Night Special&lt;br /&gt;04. Searching&lt;br /&gt;05. Travelin' Man&lt;br /&gt;06. Simple Man&lt;br /&gt;07. Whiskey Rock-A-Roller&lt;br /&gt;08. Needle and the Spoon&lt;br /&gt;09. Gimme Back My Bullets&lt;br /&gt;10. Tuesday's Gone&lt;br /&gt;11. Gimme Three Steps&lt;br /&gt;12. Call Me the Breeze&lt;br /&gt;13. T for Texas (Blue Yodel No. 1)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CD2:&lt;/b&gt;&lt;br /&gt;01. Sweet Home Alabama&lt;br /&gt;02. Crossroads&lt;br /&gt;03. Free Bird&lt;br /&gt;04. Introduction/Workin' for MCA [Alternate Take]&lt;br /&gt;05. I Ain't the One [Alternate Take]&lt;br /&gt;06. Searching [Alternate Take]&lt;br /&gt;07. Gimme Three Steps [Alternate Take]&lt;br /&gt;08. Call Me the Breeze [Alternate Take]&lt;br /&gt;09. Sweet Home Alabama [Alternate Take]&lt;br /&gt;10. Crossroads [Alternate Take]&lt;br /&gt;11. Free Bird [Alternate Take]&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 7 - Street Survivors (1977)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-fFEjoeHbdjg/TvLQ5tSzbFI/AAAAAAAAAr8/sjuer4Jt4p8/s1600/06.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://1.bp.blogspot.com/-fFEjoeHbdjg/TvLQ5tSzbFI/AAAAAAAAAr8/sjuer4Jt4p8/s320/06.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;01. What's Your Name?&lt;/i&gt;&lt;br /&gt;&lt;i&gt;02. That Smell&lt;/i&gt;&lt;br /&gt;&lt;i&gt;03. One More Time&lt;/i&gt;&lt;br /&gt;&lt;i&gt;04. I Know a Little&lt;/i&gt;&lt;br /&gt;&lt;i&gt;05. You Got That Right&lt;/i&gt;&lt;br /&gt;&lt;i&gt;06. I Never Dreamed&lt;/i&gt;&lt;br /&gt;&lt;i&gt;07. Honky Tonk Night Time Man&lt;/i&gt;&lt;br /&gt;&lt;i&gt;08. Ain't No Good Life&lt;/i&gt;&lt;br /&gt;Bonus tracks:&lt;br /&gt;&lt;i&gt;09. Georgia Peaches&lt;/i&gt;&lt;br /&gt;&lt;i&gt;10. Sweet Little Missy&lt;/i&gt;&lt;br /&gt;&lt;i&gt;11. You Got That Right [Alternate Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;12. I Never Dreamed [Alternate Version]&lt;/i&gt;&lt;br /&gt;&lt;i&gt;13. Jacksonville Kid (aka "Honky Tonk Night Time Man")&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;CD 8 - Southern By The Grace Of God (1988)&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-oTwE1lvrmwc/TvLRJaEzvMI/AAAAAAAAAsI/TGYrp27xyzI/s1600/07.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="319" src="http://2.bp.blogspot.com/-oTwE1lvrmwc/TvLRJaEzvMI/AAAAAAAAAsI/TGYrp27xyzI/s320/07.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;01. Introduction by Lacy Van Zant/Workin' for MCA&lt;/i&gt;&lt;br /&gt;&lt;i&gt;02. That Smell&lt;/i&gt;&lt;br /&gt;&lt;i&gt;03. I Know a Little&lt;/i&gt;&lt;br /&gt;&lt;i&gt;04. Comin' Home&lt;/i&gt;&lt;br /&gt;&lt;i&gt;05. You Got That Right&lt;/i&gt;&lt;br /&gt;&lt;i&gt;06. What's Your Name?&lt;/i&gt;&lt;br /&gt;&lt;i&gt;07. Gimme Back My Bullets&lt;/i&gt;&lt;br /&gt;&lt;i&gt;08. Swamp Music&lt;/i&gt;&lt;br /&gt;&lt;i&gt;09. Call Me the Breeze&lt;/i&gt;&lt;br /&gt;&lt;i&gt;10. Dixie/Sweet Home Alabama&lt;/i&gt;&lt;br /&gt;&lt;i&gt;11. Free Bird&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Download Folder:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="color: #990000;"&gt;&lt;a href="http://www.fileserve.com/list/3T6uTrz" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileServe&lt;/span&gt;&lt;/a&gt; | &lt;a href="http://www.filefactory.com/f/a59eafbc116d3015/" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt; | &lt;a href="http://www.filesonic.com/folder/17917295" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileSonic&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/de28d612" target="_blank"&gt;&lt;span style="color: #990000;"&gt;download files&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;password: &lt;/b&gt;&lt;span style="color: #cc0000;"&gt;&lt;b&gt;vynil&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;not my rips&lt;/b&gt;&lt;br /&gt;&lt;b&gt;re-uploaded files&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-3139526757198264514?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/3139526757198264514/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-lynyrd-skynyrd-sounds-of-south.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3139526757198264514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3139526757198264514'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/re-post-lynyrd-skynyrd-sounds-of-south.html' title='RE-Post. Lynyrd Skynyrd - Sounds of South MCA Years (1973-1988) Japan Limited Press PROMO 7 titles (8 Mini-LP CD) BOX'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-G4Q4uqf5f34/TvLSIuCGOPI/AAAAAAAAAsU/wp6ttfyziv8/s72-c/box.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-9029706892666187979</id><published>2011-12-21T15:08:00.001+01:00</published><updated>2011-12-30T04:34:56.394+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Peder af Ugglas'/><title type='text'>Peder af Ugglas - Autumn Shuffle. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-jgHLnxTt02U/TvHmCvEPhXI/AAAAAAAAApw/f-lo-xqLBLM/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://1.bp.blogspot.com/-jgHLnxTt02U/TvHmCvEPhXI/AAAAAAAAApw/f-lo-xqLBLM/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 4.1 | 3.15GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 266MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Blues | Label: Opus 3 | Catalog Number: 22042&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Yes, Finally! A Opus 3 album that actually is fun listening to!&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;All my Opus 3 albums sounds great but this is the first one that allso have a musical content which don't make me bored after just a few tracks. The first time I listened to this album I was really surprised, this was more than I hoped for. Of course knowing that Opus 3 made a rock album made me really curios, but since this is experimential rock completly without song I was not sure what to excpect.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The musical content really surpised me, but the sound quality was exactly as high as I excpected, I can't think of any complains regarding sound quality. The surround mix is 4.1 (no center speaker as usual with opus 3 surround sacd's), the mix is very careful with the surround speakers used for ambience only. At first I didn't see the point of making a surround mix if the rear spekears is barely used, but now I actually enjoy these mixes (but Dark side of the moon will continue to be my absolute favorite sacd!).&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;I had the privelige of buying this album directly from the man behind opus 3, Jan-Erik Persson, and he said he allso really likes this type of rock and blues, so he promised more albums of this kind. Looking forward to it!&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0007ULK7U/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/2838" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-uS2Ywk566_M/TvHlxw5OEhI/AAAAAAAAApo/nFwHXyMWc8M/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-uS2Ywk566_M/TvHlxw5OEhI/AAAAAAAAApo/nFwHXyMWc8M/s320/disc.jpg" width="317" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Very good album with a very good sound. I listen to Stereo sound. I had never heard about this artist before I bought this album. It was an adventure - purchasing but it was worthwile. It's a fancy, natural music which is never boring. A good mix of modern instrumental Blues, Rock and Folk. For me it is a perfect album with a very good sound of an outstanding guitarist. I love it!&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Harvest Song&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Wino's Dance&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Autumn Shuffle&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:47&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Central South&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Passion&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Last Call&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Far Away&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:15&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Dawn&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:06&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; I sold My Boat&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:34&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Stockholm&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Passing By&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:54&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Strife Within&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:38&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;A Hymn&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;I like to sample music and then take chances. Opus 3 has a great reputation for making great recordings and this disc is no exception.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;This is a pure dsd recording of a Swedish guitarist and his band. And what a good band it is. Mixing rock, blues and jazz with a taste of folk and blue grass......we get both a great performance and a wonderful recording.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The sound is life-like, warm and realistic. It was recorded with a tubed microphone and the sound is lush and deep.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Great guitar licks with every other instrument that can be imagined mixed into certain songs. All recorded wonderfully.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Its the different combinations of instruments that keeps this disc fresh and exciting. Mr. Ugglas can really play guitar too. The bassist is using the stand up variety if you can dig it. Ugglas is essentially a rock and roll guy and obviously loves guitar....both electric and acoustic. And the spring board for every song on this album is either rock, blues or folk in character.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;One track features bluesy guitar work recorded in a church with an organist. Now this is a cool concept. Another slow rocker has trombone in the song if you can imagine this. Ugglas and band manage to switch things up and around so as to keep the entire album interesting...almost nostalgic and sentimental. Like time is passing.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Terrific solos from Ugglas.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;From start to finish this is a great album and a beautiful sacd. I cant think of anyone not liking the sound of this disc.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Highly recommended.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UJ6UOhVq3kE/TvHmH_5mTvI/AAAAAAAAAp4/nW22GYDySwg/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="275" src="http://4.bp.blogspot.com/-UJ6UOhVq3kE/TvHmH_5mTvI/AAAAAAAAAp4/nW22GYDySwg/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17488165" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/0bed48cf2af53278/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/RuzfjpM" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/66b0c629" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-9029706892666187979?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/9029706892666187979/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/peder-af-ugglas-autumn-shuffle.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/9029706892666187979'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/9029706892666187979'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/peder-af-ugglas-autumn-shuffle.html' title='Peder af Ugglas - Autumn Shuffle. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jgHLnxTt02U/TvHmCvEPhXI/AAAAAAAAApw/f-lo-xqLBLM/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-6556598170210143795</id><published>2011-12-18T19:14:00.001+01:00</published><updated>2011-12-18T19:20:02.636+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Mclaughlin'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Santana'/><title type='text'>Carlos Santana and John McLaughlin - Love Devotion Surrender. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/--eSdngfZC5U/Tu4g10VKPOI/AAAAAAAAAoY/ftpj_2l2y3g/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://3.bp.blogspot.com/--eSdngfZC5U/Tu4g10VKPOI/AAAAAAAAAoY/ftpj_2l2y3g/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 1.60GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 239MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Blues-Rock | Label: MFSL | Catalog Number: UDSACD 2080&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Two guitar giants. A collective band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album, commonly referred to as the equivalent of aural nirvana. Still the only meeting of Santana and John McLaughlin, Love Devotion Surrender more than lives up to the promise offered by its principal creators as it’s a spiritual journey based in divine faith, religious toleration, and the forward-thinking philosophy that music can take us closer to the truth. These enlightening concepts are reflected in the playing of Santana and McLaughlin, who repeatedly hit a higher plane on this stunning 1973 set...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B005XB8P2G/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/7592" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;...Re-mastered from the original analog master tapes, Love Devotion Surrender benefits from Mobile Fidelity’s meticulous engineering, with the windows on the finite give-and-take passages, sustained notes, and acoustic textures thrown open on hybrid SACD with palpable transparency and exquisite detail. Brimming with atmospheric textures, three-dimensional spaciousness, and sterling microdynamics, this version follows on the heels of Mobile Fidelity’s definitive, critically acclaimed editions of Santana, Abraxas, and Caravanserai.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Having each become a follower of Indian guru Sri Chinmoy, Santana and McLaughlin began playing together in 1972, with each legend currently in the midst of personal and creative transition. Santana was moving away from rock-based songs in favor of exploratory jazz-rock fusion. McLaughlin had already achieved fame with the Mahavishnu Orchestra, on the brink of collapse due to disagreements within the band. On Love Devotion Surrender, the duo pools its interest in spirituality and transcendence into expressively gorgeous art steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-PfUtVq_SBCk/Tu4pigXHCRI/AAAAAAAAAog/xqQpV8JkfNY/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-PfUtVq_SBCk/Tu4pigXHCRI/AAAAAAAAAog/xqQpV8JkfNY/s320/disc.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;A Love Supreme&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Naima&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Life Divine&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Let Us Go Into the House of the Lord&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;15:39&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Meditation&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;b style="font-size: small; font-style: italic; font-weight: bold;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;...Laden with delicate acoustic touches and gentle piano touches as well as powerful staccato bursts and fast-paced bongo percussion, Love Devotion Surrender contains a highly dynamic mix of tempos, textures, and contrasts that have never shone like they do on Mobile Fidelity’s numbered, limited-edition hybrid SACD. This audiophile edition brings the performers’ spirituality to the fore with extraordinary realism, while the pinpoint imaging—Santana primarily on the left, McLaughlin on the right—allows each musicians’ contributions to soar. If you’re a fan of the guitar, jazz, or music that literally elevates you to an ethereal place, this is a must. &amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;a href="http://www.musicdirect.com/p-43734-carlos-santana-and-john-mclaughlin-love-devotion-surrender-numbered-limited-edition-hybrid-sacd.aspx" style="font-weight: 800;"&gt;musicdirect.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-z_gImfHsqM4/Tu4poSFj50I/AAAAAAAAAoo/dZjEiyzbYk4/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://2.bp.blogspot.com/-z_gImfHsqM4/Tu4poSFj50I/AAAAAAAAAoo/dZjEiyzbYk4/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17488005" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/efc9791aa43c1d7f/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/ArdTtx8" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/52a2a863" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left; width: 240px;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-6556598170210143795?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/6556598170210143795/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/carlos-santana-and-john-mclaughlin-love.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6556598170210143795'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/6556598170210143795'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/carlos-santana-and-john-mclaughlin-love.html' title='Carlos Santana and John McLaughlin - Love Devotion Surrender. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--eSdngfZC5U/Tu4g10VKPOI/AAAAAAAAAoY/ftpj_2l2y3g/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-1055271764578443899</id><published>2011-12-17T15:02:00.001+01:00</published><updated>2011-12-19T14:12:26.805+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leo Kottke'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><title type='text'>Leo Kottke - 6- and 12-String Guitar. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-rmX1iy-wYPE/TuyfnorFAAI/AAAAAAAAAnY/VmRclluTAyw/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;img border="0" height="311" src="http://3.bp.blogspot.com/-rmX1iy-wYPE/TuyfnorFAAI/AAAAAAAAAnY/VmRclluTAyw/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; 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font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Guitar Virtuoso | Takoma&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;| Catalog Number:&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;TSA-6503-6&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="font-style: italic; text-align: center;"&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0000YTP9S/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://sa-cd.net/showthread/1646" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Scores of guitarists and tens of thousands of fans remember “the armadillo album” as their first exposure to solo steel-string guitar fingerpicking and the modern concept of the guitarist/composer. Leo Kottke’s close-miked, crisp, aggressive, and inventive steady-bass fingerpicking on this 1969 LP for John Fahey’s Takoma Records redefined the market for this genre, which had been invented and nurtured by Fahey and Robbie Basho in the early and middle 1960s. 6- and 12-String Guitar remains one of the top five sellers in the history of solo steel-string guitar recordings&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;i style="font-size: small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Driving Of The Year Nail&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:57&lt;/i&gt;&lt;/div&gt;&lt;i style="font-size: small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Last of The Arkansas Greyhounds&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:18&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Ojo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:14&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Crow River Waltz&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:20&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Sailor's Grave On The Prairie&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Vaseline Machine Gun&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jack Fig&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:13&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Watermelon&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:10&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jesu, Joy of Man's Desiring&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:23&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Fisherman&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Tenessee Toad&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Busted Bicycle&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Brain Of The Purple Mountain&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:09&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Coolidge Rising&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Sounds really sweet especially when considering the age of the source. I'd never owned any original Kottke stuff but had heard many covers by Michael Hedges and others. Acoustic guitar in many styles is one of my music mainstays but I find this a little too spastic to sit and listen to this whole disc. He can sure play the hell out of any guitar but almost every song on this disc is extremely fast and complex and you really have to like his use of a bottleneck slide too...I'm not sure I do. In short, the pieces he plays on this are like a race to show off his skills.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;A great disc but but be ready to race!&lt;/b&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;a href="http://1.bp.blogspot.com/-J9wxeOZ_GHo/TuyfGkAzYcI/AAAAAAAAAnI/5oLHSDn1ntg/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-J9wxeOZ_GHo/TuyfGkAzYcI/AAAAAAAAAnI/5oLHSDn1ntg/s320/disc.jpg" width="318" /&gt;&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;6- and 12-String Guitar is the second album by Leo Kottke, a solo instrumental steel-string acoustic guitar album originally released by John Fahey's Takoma Records in 1969. It is popularly known as the Armadillo album after the animal illustrated in the distinctive cover art (by Annie Elliott). Although Kottke has recorded dozens of additional albums, 6- and 12-String Guitar remains Kottke's best-known album.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;The album showcases Kottke's early, hard-driving polyphonic finger-picking style (which eventually led to him developing tendinitis and having to change his playing approach). Even at the fastest tempos the notes are clean and crisp, with a distinctive tone. True to its title, the album contains performances on both 6- and 12-string acoustic guitars, some using a slide.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Although Kottke has included vocals in other albums, this album is all instrumental — the liner notes contained Kottke's famous apology that his voice "sounds like geese farts on a muggy day."&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;All the tracks were written by Kottke except Jesu, Joy of Man's Desiring, Kottke's arrangement of the familiar Bach piece.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Recorded in just three and one-half hours, the release of this truly iconic album virtually launched Leo Kottke out beyond the St. Paul-Minneapolis confines where he had been ensconced as a local phenom. By jumping on board John Fahey's burgeoning Takoma label, Kottke's guitar wizardry (especially finger-picking a 12-string, usually reserved as rhythm accompaniment) gave other guitarists far and wide, second thoughts. Throw in some sassy slide work on both 6 &amp;amp; 12 and you'll know why this particular record is commonly referred to as an Intro to Guitar 101. With twelve original compositions plus a few by some guy named J.S. Bach, Kottke's blues, folk, country and classical channelings dictate both his playful and reflective approach on each. Highlights include blazing picking techniques on Broken Bicycle and Vaseline Machine Gun with some muscular bottleneck slide work on The Sailor's Grave On The Prairie&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-l2RHdLq_SEQ/TuyfVpkL0JI/AAAAAAAAAnQ/wg2pFnljNsE/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="274" src="http://2.bp.blogspot.com/-l2RHdLq_SEQ/TuyfVpkL0JI/AAAAAAAAAnQ/wg2pFnljNsE/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;With the 1969 release of 6-AND 12 STRING GUITAR, Leo Kottke established his pre-eminence as a guitar virtuoso and composer of quirky, pop-inflected pieces. Harmonically adventurous and technically dazzling, this album showcases Kottke's penchant for infusing traditional elements of folk guitar with more modern, even impressionistic harmony and tonality. Kottke inspired a revolution in acoustic guitar playing, and this record provided the opening volley.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;"The Driving of the Year Nail" starts things off with a relentless fingerpicked chug, featuring splashes of open harmonics executed with the delicacy of a ballerina. Kottke proceeds to combine the familiar with the strange--each of these brief pieces (around three minutes and under) has the effect of being simultaneously charming, and a little twisted. For example, "Vaseline Machine Gun" starts with "Taps" played with a bottleneck slide, then morphs into a thumb-and-slide frenzy. Bach's "Jesu, Joy of Man's Desiring" is the exception, given a straight and loving reading on six-string guitar. This is pure steel-string joy, with liberal doses of irony and ecstasy&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17488245" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/81bfab3955b7e034/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/bb2KA7h" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/28ff6c40" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;pw:&amp;nbsp;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-1055271764578443899?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/1055271764578443899/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/leo-kottke-6-and-12-string-guitar-sacd.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/1055271764578443899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/1055271764578443899'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/leo-kottke-6-and-12-string-guitar-sacd.html' title='Leo Kottke - 6- and 12-String Guitar. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-rmX1iy-wYPE/TuyfnorFAAI/AAAAAAAAAnY/VmRclluTAyw/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-1676016132356670181</id><published>2011-12-17T14:25:00.000+01:00</published><updated>2011-12-17T14:25:43.378+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Matthias Frey'/><title type='text'>Matthias Frey - Nightfire. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-y55u4DbHZJs/TuyWZbe9iRI/AAAAAAAAAm4/h-PLNDe0lNQ/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-y55u4DbHZJs/TuyWZbe9iRI/AAAAAAAAAm4/h-PLNDe0lNQ/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.41GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 320MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Jazz | Label:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Delta Music&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;52 020&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0007Z0WFQ/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/2971" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.matthias-frey.com/"&gt;&lt;span style="color: #990000;"&gt;matthias-frey.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;i style="font-size: small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Appearance Of the Pintos&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:10&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jaennette&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:01&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Arena&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:01&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Joint Venture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Ear To Earth&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:24&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; 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&lt;/span&gt;Jaipur Express&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Smile&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;br /&gt;&lt;b&gt;Wolfgang Tiepold- cello&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Christoph Haberer - drums&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Matthias Frey - Flügel&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; 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SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-y55u4DbHZJs/TuyWZbe9iRI/AAAAAAAAAm4/h-PLNDe0lNQ/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-8181541273322226926</id><published>2011-12-16T00:00:00.000+01:00</published><updated>2011-12-16T12:53:20.170+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Traffic'/><category scheme='http://www.blogger.com/atom/ns#' term='SHM-CD'/><title type='text'>RE-Post. Traffic - 10 albums. Japanese SHM-CD (2008)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yHzIy2U0z0w/Tul0IyQgt8I/AAAAAAAAAkg/ft9V6YGNibo/s1600/000c5686_medium.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-yHzIy2U0z0w/Tul0IyQgt8I/AAAAAAAAAkg/ft9V6YGNibo/s1600/000c5686_medium.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span style="font-size: 14px; line-height: 20px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;eac/cue/log/flacs/covers | 10CD ~3.2GB | Universal Japan UICY 93640-49&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Rock | RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;b style="text-align: center;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="display: inline !important; text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;b style="text-align: center;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://www.bambooweb.com/articles/T/r/Traffic_(band).html" target="_blank"&gt;Traffic&lt;/a&gt; was a rock band from Birmingham, England, in the late 1960s and led by Steve Winwood, with Jim Capaldi, Chris Wood and Dave Mason, after Winwood left the Spencer Davis Group.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The four musicians often played at a club called The Elbow Room in Aston which is where the name 'Traffic' was conceived after observing passing cars. With Mason and Capaldi eager to form a new group, Winwood agreed to join the partnership along with Chris Wood and so the four members retreated to a secluded cottage in Aston Tirrold, Berkshire to rehearse and record their early work.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Their debut single was 1967's "Paper Sun", a UK hit. "Hole in My Shoe", the second single, was an even bigger hit, and set the stage for a rivalry between Winwood and Mason, the group's principal songwriters. Their debut album was Mr. Fantasy which, like the singles, was a hit in the UK but not in the US or elsewhere. Their second album, Traffic, was released in 1968. The band began touring the US, but Mason was fired and Winwood announced the band's break-up. Winwood formed Blind Faith but after that band split in 1969 he began working on a solo recording which eventually turned into another Traffic album, John Barleycorn Must Die, their most successful album yet.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;After some personnel changes (including the return of Mason), Traffic released The Low Spark of High Heeled Boys, an American hit that didn't chart in the UK. Once again, personnel problems wracked the band as Capaldi began a solo career. Still, Shoot Out at the Fantasy Factory was another hit, as was When the Eagle Flies (1974 in music). Capaldi's solo career began to heat up, and Winwood finally launched one of his own, recording the smash hit album Arc of a Diver. Winwood's solo career peaked with the album Back in the High Life. Traffic did not record again until 1994, when they released Far From Home. After re-uniting, Capaldi and Winwood toured widely but were unable to regain their former stature.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Traffic was inducted into the Rock and Roll Hall of Fame on March 15, 2004.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;1. Mr Fantasy (1967) UICY-93640&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ZwXpLgT3Ths/Tul0QDuAZnI/AAAAAAAAAko/Ehaonx9y1rw/s1600/1000c568c_medium.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://2.bp.blogspot.com/-ZwXpLgT3Ths/Tul0QDuAZnI/AAAAAAAAAko/Ehaonx9y1rw/s200/1000c568c_medium.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;1. Heaven Is In Your Mind&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;2. Berkshire Poppies&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;3. House For Everyone&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;4. No Face, No Name, No Number&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;5. Dear Mr. Fantasy&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;6. Dealer&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;7. Utterly Simple&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;8. Coloured Rain&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;9. Hope I Never Find Me There&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;10. Giving To You&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Bonus tracks [mono single mixes]:&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;11. Paper Sun&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;12. Giving to You&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;13. Hole in My Shoe&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;14. Smiling Phases&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;15. Here We Go 'Round the Mulberry Bush&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;2. Traffic (1968) UICY-93642&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-NqaBmUeuKKY/Tul0bypjwNI/AAAAAAAAAkw/Her6j5kiMtw/s1600/2000c5691_medium.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://1.bp.blogspot.com/-NqaBmUeuKKY/Tul0bypjwNI/AAAAAAAAAkw/Her6j5kiMtw/s200/2000c5691_medium.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;1. You Can All Join In&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;2. Pearly Queen&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;3. Don't Be Sad&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;4. Who Knows What Tomorrow May Bring&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;5. Feelin' Alright&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;6. Vagabond Virgin&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;7. (Roamin' Thro' The Gloamin' With) 40,000 Headmen&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;8. Cryin' To Be Heard&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;9. No Time To Live&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;10. Means To An End&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Bonus tracks:&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;11. You Can All Join In [mono mix]&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;12. Feelin' Alright [mono single mix]&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;13. Withering Tree [stereo mix]&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;3. Heaven Is In Your Mind (1969) UICY-93641&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-nUQWtDvGUJA/Tul0l1giaRI/AAAAAAAAAk4/0cREbW1x6ZM/s1600/3000c5694.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="195" src="http://1.bp.blogspot.com/-nUQWtDvGUJA/Tul0l1giaRI/AAAAAAAAAk4/0cREbW1x6ZM/s200/3000c5694.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;1. Paper Sun&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;2. Dealer&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;3. Coloured Rain&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;4. Hole in My Shoe&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;5. No Face, No Name, No Number&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;6. Heaven Is in Your Mind&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;7. House for Everyone&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;8. Berkshire Poppies&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;9. Giving to You&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;10. Smiling Phases&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;11. Dear Mr. Fantasy&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;12. We're a Fade, You Missed This&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Bonus tracks:&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;13. Utterly Simple&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;14. Hope I Never Find Me There&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;15. Here We Go 'Round the Mulberry Bush&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;16. Am I What I Was or Am I What I Am&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;4. Last Exit (1969) UICY-93643&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zZ8-PM6ZzS0/Tul0uiVzl_I/AAAAAAAAAlA/q2QReguoS5A/s1600/4000c5696.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="195" src="http://4.bp.blogspot.com/-zZ8-PM6ZzS0/Tul0uiVzl_I/AAAAAAAAAlA/q2QReguoS5A/s200/4000c5696.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;1. Just For You&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;2. Shanghai Noodle Factory&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;3. Something's Got A Hold Of My Toe&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;4. Withering Tree&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;5. Medicated Goo&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;6. Feeling Good&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;7. Blind Man&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;5.&amp;nbsp;John Barleycorn Must Die (1970) UICY-93644&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-1Bb88GwlAiY/Tusm1Vu6DkI/AAAAAAAAAlg/nNtQrsY3Gj0/s1600/5000c5698.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="193" src="http://2.bp.blogspot.com/-1Bb88GwlAiY/Tusm1Vu6DkI/AAAAAAAAAlg/nNtQrsY3Gj0/s200/5000c5698.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;1. Glad&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;2. Freedom Rider&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;3. Empty Pages&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;4. I Just Want To Know - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;5. Stranger To Himself&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;6. John Barleycorn (Must Die)&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;7. Every Mother's Son&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;8. Sittin' Here Thinkin' Of My Love - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;9. Backstage And Introduction [live] - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;10. Who Knows What Tomorrow May Bring [live] - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;11. Glad [live] - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;6.&amp;nbsp;The Low Spark of High-Heeled Boys (1971) UICY-93646&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-gIaaFBTJOf4/TusnIAmKZwI/AAAAAAAAAlo/Ceykj3C8838/s1600/6000c569e.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="193" src="http://1.bp.blogspot.com/-gIaaFBTJOf4/TusnIAmKZwI/AAAAAAAAAlo/Ceykj3C8838/s200/6000c569e.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;1. Hidden Treasure&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;2. Low Spark of High Heeled Boys&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;3. Light Up or Leave Me Alone&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;4. Rock and Roll Stew&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;5. Many a Mile to Freedom&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;6. Rainmaker&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;7. Rock and Roll Stew, Pts. 1 &amp;amp; 2 [Single Version] - bonus track&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;7.&amp;nbsp;Welcome To The Canteen (1971) UICY-93645&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-wCJoopkrMAA/Tusnl7oWJfI/AAAAAAAAAlw/H7myyaz8jgk/s1600/7000c56aa.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="197" src="http://2.bp.blogspot.com/-wCJoopkrMAA/Tusnl7oWJfI/AAAAAAAAAlw/H7myyaz8jgk/s200/7000c56aa.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;1. Medicated Goo&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;2. Sad And Deep As You&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;3. 40,000 Headmen&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;4. Shouldn't Have Took More Than You Gave&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;5. Dear Mr. Fantasy&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;6. Gimme Some Lovin'&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;8. Shoot out at the Fantasy Factory (1973) UICY-93647&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-CuohWM7lLUw/TuspTEyhLBI/AAAAAAAAAl4/JPtq12Y5jn0/s1600/8000c56ae.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="193" src="http://2.bp.blogspot.com/-CuohWM7lLUw/TuspTEyhLBI/AAAAAAAAAl4/JPtq12Y5jn0/s200/8000c56ae.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;1. Shoot Out At The Fantasy Factory&lt;/div&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;2. Roll Right Stones&lt;/div&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;3. Evening Blue&lt;/div&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;4. Tragic Magic&lt;/div&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;5. (Sometimes I Feel So) Uninspired&lt;/div&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="display: inline !important; font-weight: bold; text-align: center;"&gt;&lt;b style="text-align: left;"&gt;9. On The Road (1973) UICY-93643&lt;/b&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;a href="http://1.bp.blogspot.com/-tsTeFVDca8E/TusqJm2OzSI/AAAAAAAAAmA/rn83w2wbMKQ/s1600/9000c56b0.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://1.bp.blogspot.com/-tsTeFVDca8E/TusqJm2OzSI/AAAAAAAAAmA/rn83w2wbMKQ/s200/9000c56b0.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: medium; font-weight: normal;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: medium; font-weight: normal;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-weight: 800;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. Glad / Freedom Rider&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. Tragic Magic&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. (Sometimes I Feel So) Uninspired&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. Shoot Out At The Fantasy Factory&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. Light Up Or Leave Me Alone&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. The Low Spark Of High-Heeled Boys&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;10. When The Eagle Flies (1974) UICY-93649&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-uoJIp6NmKcM/TusqaT-PbJI/AAAAAAAAAmI/Zky5exJavno/s1600/10+000c56b4.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://1.bp.blogspot.com/-uoJIp6NmKcM/TusqaT-PbJI/AAAAAAAAAmI/Zky5exJavno/s200/10+000c56b4.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-size: medium; font-weight: normal; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;1. Something New&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;2. Dream Gerrard&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;3. Graveyard People&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;4. Walking In The Wind&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;5. Memories Of A Rock 'N' Rolla&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;6. Love&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;7. When The Eagle Flies&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;-----------------------------------------------------------------------------------------------------------------&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-size: small; font-weight: bold;"&gt;&lt;/div&gt;&lt;div style="font-size: medium; font-weight: normal;"&gt;not my rips&lt;/div&gt;&lt;div style="font-size: medium; font-weight: normal; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17302045" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/86199e3980d5b4e0/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/Kt6Yhr4" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: medium; font-weight: normal; text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/076dcd8e" style="background-color: white;" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;b&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;password: &lt;/span&gt;&lt;span style="color: #cc0000;"&gt;straff&lt;/span&gt;&lt;/b&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span id="goog_1970944262"&gt;&lt;/span&gt;&lt;span id="goog_1970944263"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-8181541273322226926?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/8181541273322226926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/traffic-10-albums-japanese-shm-cd-2008.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8181541273322226926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8181541273322226926'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/traffic-10-albums-japanese-shm-cd-2008.html' title='RE-Post. Traffic - 10 albums. Japanese SHM-CD (2008)'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-yHzIy2U0z0w/Tul0IyQgt8I/AAAAAAAAAkg/ft9V6YGNibo/s72-c/000c5686_medium.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-8486407722076035981</id><published>2011-12-15T18:52:00.000+01:00</published><updated>2011-12-15T18:53:14.976+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cincinnati Pops Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='King&apos; Singers'/><category scheme='http://www.blogger.com/atom/ns#' term='Erich Kunzel'/><title type='text'>Music of the Beatles - Erich Kunzel, Cincinnati Pops Orchestra, King' Singers. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KA2SmcronEU/Tuow9eakNyI/AAAAAAAAAlI/Xq8N4NjUTJA/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://1.bp.blogspot.com/-KA2SmcronEU/Tuow9eakNyI/AAAAAAAAAlI/Xq8N4NjUTJA/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.59GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 284MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Symphonic Rock | Label: Telarc | Catalog Number: SACD 60540&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;I've been meaning to say something about this wonderful SACD for years. I love the compositions by Lennon/McCartney but prefer their music best when preformed by Jazz Ensembles or Symphony Orchestra's. So I guess I'm not a real Beatles fan but I sure love their music writing skills.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;This is musically and sonically one of the finest SACDs in my collection. Not only is it super cool but it really shows what great writers Lennon/McCartney are, like the Beatles recordings never could. The orchestra playing, the rhythm, the perfect voices of the king'singers and the superb sonics make for some very enjoyable music! I wish Kunzel would do a follow-up recording of more Beatles music, how about a "King's White Album"?&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B00005QZLA/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/451" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-AslpO8dYeZE/TuoxHg393uI/AAAAAAAAAlQ/As_AqiFGjTA/s1600/dsd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="267" src="http://3.bp.blogspot.com/-AslpO8dYeZE/TuoxHg393uI/AAAAAAAAAlQ/As_AqiFGjTA/s320/dsd.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Eleanor Rigby (Orchestral Version)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:24&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers with Cincinnati Pops / All You Need Is Love&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:15&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers / When I'm Sixty-Four (a cappella)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:15&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Michelle&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:32&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers / Octopus's Garden (a cappella)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers with Cincinnati Pops / Across the Universe&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:18&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Ob-la-di, Ob-la-da&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Penny Lane&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Sgt. Pepper's Lonely Hearts Club Band&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:39&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers / Eleanor Rigby (a cappella)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:09&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers with Cincinnati Pops / Because&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:10&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / Yesterday&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers / Here, There, and Everywhere (a cappella)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Cincinnati Pops / The Long and Winding Road&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers with Cincinnati Pops / Hey Jude&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;King's Singers with Cincinnati Pops / Let It Be&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: -webkit-auto;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;I have had this SACD for over a year and have been able to audition it on a number of systems, including my new reference quality system, and I have to say that the soundstage sounds somewhat distant and narrow, and overall, the sonics are not spectacular. However, I did not relize this until I purchased my new system, and I thaught the sonics were fine on my previous equipment. The modern arangements were creative and do justice to the original Beatles arrangements. The King's Singers, as usual, did an excellent job.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-tcmErVYwmss/TuoxZFRgCPI/AAAAAAAAAlY/IMT6hjbKN4c/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://3.bp.blogspot.com/-tcmErVYwmss/TuoxZFRgCPI/AAAAAAAAAlY/IMT6hjbKN4c/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17302015" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/f5a60d57dceaa734/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/JgB6gvd" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/5770f7bc" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-8486407722076035981?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/8486407722076035981/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/music-of-beatles-erich-kunzel.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8486407722076035981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8486407722076035981'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/music-of-beatles-erich-kunzel.html' title='Music of the Beatles - Erich Kunzel, Cincinnati Pops Orchestra, King&apos; Singers. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KA2SmcronEU/Tuow9eakNyI/AAAAAAAAAlI/Xq8N4NjUTJA/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-8211541808928567779</id><published>2011-12-15T05:00:00.000+01:00</published><updated>2011-12-15T05:39:50.237+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kansas'/><category scheme='http://www.blogger.com/atom/ns#' term='Progressive Rock'/><title type='text'>Re-Post. Kansas - 7 Japanese Mini LPs CD Set (EICP 1047-54), Remastered - 2008</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="image"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94876/kansas7cd.jpg" style="margin-left: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="" border="0" height="314" src="http://www.onlinedisk.ru/cache/b1f01194e18431b2be9de5b65f155b67" width="320" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;eac/cue/log/flacs/covers | 7CD ~3.1GB | Sony EICP 1047-54| 2008&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Seven-album Kansas cardboard sleeve reissue series featuring the albums "Kansas," "Song For America," "Masque," "Leftoverture," "Point Of Know Return," "Two For The Show," and "Monolith." 2008 Remastering featured on "Monolith" and "Two For The Show."&lt;/i&gt;&lt;b&gt; &lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=6712372016553035731" id="full" name="full"&gt;&lt;/a&gt;&lt;br /&gt;&lt;table class="quote"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_left"&gt;“&lt;/td&gt;&lt;td class="quote_center"&gt;&lt;i&gt;Эта американская команда была сформирована в 1974 году Дэвидом Хоупом (р. 7 октября 1949, Канзас; бас), Стивом Уолшем (р. Сэйнт Джозеф, США; клавишные, вокал), и Филом Эхартом (р. Канзас; ударные, перкуссия). Парни сменили название своей группы "White Clover" на "Kansas" и пригласили к себе Керри Ливгрена (р. 18 сентября 1949, Канзас; гитара, вокал), Роберта Стейнхардта (скрипка, струнные, вокал) и Ричарда Вильямса (р. Канзас; гитара). Хотя "Kansas" и были штатовской группой, в их творчестве было очень заметно влияние британских коллективов того времени типа "Yes" и "Genesis", что особенно отражалось в текстах Уолша. За первым альбомом "Kansas", пользовавшегося умеренным спросом, вышли еще два и оба получили золотой статус, принеся команде широкую известность у себя на родине (хотя в Европе они были малоизвестны)....&lt;/i&gt;&lt;/td&gt;&lt;td class="quote_right"&gt;”&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="left"&gt;&lt;a href="http://onlymetal.ru/band1334.html" target="_blank"&gt;&lt;i&gt;Источник&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94877/kansasfront150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/fd94531cbae5048b0e47fd762fd289ab" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Kansas  (1974) Japan EICP-1047&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  CAN I TELL YOU&lt;br /&gt;2.  BRINGING IT BACK&lt;br /&gt;3.  LONELY WIND&lt;br /&gt;4.  BELEXES&lt;br /&gt;5.  JOURNEY FROM MARIABRONN&lt;br /&gt;6.  PILGRIMAGE,THE&lt;br /&gt;7.  APERCU&lt;br /&gt;8.  DEATH OF MOTHER NATURE SUITE&lt;br /&gt;9.  BRINGING IT BACK(LIVE)&lt;/div&gt;&lt;div style="color: #cc0000;"&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2009/12/k-s-eicp.html"&gt;&lt;b&gt;&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94879/ASongForAmerica1975front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/0fa41c6c95b10d2e81ef3f2289a4023e" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;A Song For America (1975) Japan EICP-1048&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  DOWN THE ROAD&lt;br /&gt;2.  SONG FOR AMERICA&lt;br /&gt;3.  LAMPLIGHT SYMPHONY&lt;br /&gt;4.  LONELY STREET&lt;br /&gt;5.  DEVIL GAME,THE&lt;br /&gt;6.  INCOMUDRO-HYMN TO THE ATMAN&lt;br /&gt;7.  SONG FOR AMERICA (Single Edit)&lt;br /&gt;8.  DOWN THE ROAD(LIVE)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94883/Masque1975front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/8b78d2a1f31443d8ac233533d898e573" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Masque (1975) Japan EICP-1049&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  IT TAKES A WOMAN'S LOVE(TO MAKE A MAN)&lt;br /&gt;2.  TWO CENTS WORTH&lt;br /&gt;3.  ICARUS(BORNE ON WINGS OF STEEL)&lt;br /&gt;4.  ALL THE WORLD&lt;br /&gt;5.  CHILD OF INNOCENCE&lt;br /&gt;6.  IT'S YOU&lt;br /&gt;7.  MYSTERIES AND MAYHEM&lt;br /&gt;8.  PINNACLE,THE&lt;br /&gt;9.  CHILD OF INNOCENCE(REHEARSAL RECORDING)&lt;br /&gt;10.  IT'S YOU(DEMO)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94880/Leftoverture1976front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/7bf86a1aa109646a3f2b87426d82d305" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Leftoverture (1976) EICP-1050&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  CARRY ON WAYWARD SON&lt;br /&gt;2.  WALL,THE&lt;br /&gt;3.  WHAT'S ON MY MIND&lt;br /&gt;4.  MIRACLES OUT OF NOWHERE&lt;br /&gt;5.  OPUS INSERT&lt;br /&gt;6.  QUESTIONS OF MY CHILDHOOD&lt;br /&gt;7.  CHEYENNE ANTHEM&lt;br /&gt;8.  MAGNUM OPUS:FATHER PADILLA MEETS THE PERFECT GNAT/HOWLING AT THE MOON/MAN OVERBOARD/INDUSTRY&lt;br /&gt;9.  CARRY ON WAYWARD SON(LIVE)&lt;br /&gt;10.  CHEYENNE ANTHEM(LIVE)&lt;/div&gt;&lt;br /&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94884/PointOfKnowReturn1977front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/361a7cd25b4a8d0e082649c4574a22be" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Point Of Know Return (1977) Japan EICP-1051&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  POINT OF KNOW RETURN&lt;br /&gt;2.  PARADOX&lt;br /&gt;3.  SPIDER,THE&lt;br /&gt;4.  PORTRAIT(HE KNEW)&lt;br /&gt;5.  CLOSET CHRONICLES&lt;br /&gt;6.  LIGHTNING'S HAND&lt;br /&gt;7.  DUST IN THE WIND&lt;br /&gt;8.  SPARKS OF THE TEMPEST&lt;br /&gt;9.  NOBODY'S HOME&lt;br /&gt;10.  HOPELESSLY HUMAN&lt;br /&gt;11.  SPARKS OF THE TEMPEST(LIVE)&lt;br /&gt;12.  PORTRAIT(HE KNEW)(REMIX)&lt;/div&gt;&lt;br /&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94885/TwoForTheShow1978front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/3e73e77da886d7d71b603ed4cdbe7b44" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Two For The Show (1978) 2CD Japan EICP-1052-3&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  SONG FOR AMERICA(LIVE)&lt;br /&gt;2.  POINT OF KNOW RETURN(LIVE)&lt;br /&gt;3.  PARADOX(LIVE)&lt;br /&gt;4.  ICARUS-BORNE ON WINGS OF STEEL(LIVE)&lt;br /&gt;5.  PORTRAIT(HE KNEW)(LIVE)&lt;br /&gt;6.  CARRY ON WAYWARD SON(LIVE)&lt;br /&gt;7.  JOURNEY FROM MARIABRONN(LIVE)&lt;br /&gt;8.  DUST IN THE WIND(ACOUSTIC GUITAR SOLO)(LIVE ACOUSTIC GUITAR SOLO)&lt;br /&gt;9.  LONELY WIND(PIANO SOLO)(LIVE)&lt;br /&gt;10.  MYSTERIES AND MAYHEM(LIVE)&lt;br /&gt;11.  EXCERPT FROM LAMPLIGHT SYMPHONY(LIVE)&lt;br /&gt;12.  WALL(LIVE),THE&lt;br /&gt;13.  MAGNUM OPUS(LIVE)&lt;br /&gt;14.  HOPELESSLY HUMAN(LIVE)&lt;br /&gt;15.  CHILD OF INNOCENCE(LIVE)&lt;br /&gt;16.  BELEXES(LIVE)&lt;br /&gt;17.  CHEYENNE ANTHEM(LIVE)&lt;br /&gt;18.  LONELY STREET(LIVE)&lt;br /&gt;19.  MIRACLES OUT OF NOWHERE(LIVE)&lt;br /&gt;20.  SPIDER(LIVE),THE&lt;br /&gt;21.  CLOSET CHRONICLES(LIVE)&lt;br /&gt;22.  DOWN THE ROAD(LIVE)&lt;br /&gt;23.  SPARKS OF THE TEMPEST(LIVE)&lt;br /&gt;24.  BRINGING IT BACK(LIVE)&lt;/div&gt;&lt;br /&gt;&lt;div class="image" style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/94886/Monolith1979front150.jpg" target="_blank"&gt;&lt;img alt="" border="0" src="http://www.onlinedisk.ru/cache/8a9e24a46f14422015691b2d8004042b" /&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Monolith (1979) Japan EICP-1054&lt;/b&gt;&lt;/div&gt;&lt;div class="mark"&gt;1.  ON THE OTHER SIDE&lt;br /&gt;2.  PEOPLE OF THE SOUTH WIND&lt;br /&gt;3.  ANGELS HAVE FALLEN&lt;br /&gt;4.  HOW MY SOUL CRIES OUT&lt;br /&gt;5.  GLIMPSE OF HOME,A&lt;br /&gt;6.  AWAY FROM YOU&lt;br /&gt;7.  STAY OUT OF TROUBLE&lt;br /&gt;8.  REASON TO BE&lt;/div&gt;&lt;br /&gt;not my rip&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17224535" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/3c794fb8cc2316e9/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/ys23CPV" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/30fa25bc" style="background-color: white;" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;pw: kansas&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.enterupload.com/ypi512iiozch/K-s_7_Japan_Mini_LP_CD_EnterUp_Links.txt.html" target="_blank"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-8211541808928567779?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/8211541808928567779/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2009/12/kansas-7-japanese-mini-lps-cd-set-eicp.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8211541808928567779'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8211541808928567779'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2009/12/kansas-7-japanese-mini-lps-cd-set-eicp.html' title='Re-Post. Kansas - 7 Japanese Mini LPs CD Set (EICP 1047-54), Remastered - 2008'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-3155324460806152368</id><published>2011-12-14T07:42:00.000+01:00</published><updated>2011-12-17T14:25:19.252+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Matthias Frey'/><title type='text'>Matthias Frey: Five Elements. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-wIr7e1_qv9Y/TuhDyJsexII/AAAAAAAAAkA/pdTf8-iDH6k/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://1.bp.blogspot.com/-wIr7e1_qv9Y/TuhDyJsexII/AAAAAAAAAkA/pdTf8-iDH6k/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.63GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 308MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Jazz | Label:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Delta Music&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;52 022&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;...i have never heard about matthias frey the pianist and composer. after the first listening in my home i was really surprised...&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B000E0LBXG/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/3629" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Metal&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;11:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Minuet For The Wise King&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:14&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Taklan Makan&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Water&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:49&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Lakechild&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Wood&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:37&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Time Within All Things&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Fire&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:57&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Earth&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;11:01&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;...sonically the recording is excellent, every instrument is its on place, the nuances can clearly be heard, the quality of stereo sonics is high and it really deserves five points. however my system is stereo only and i can say nothing about multichannel sonics...&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ZaKyDDIEl7g/TuhD3k9t-5I/AAAAAAAAAkI/tR1gz7kJd_A/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="280" src="http://2.bp.blogspot.com/-ZaKyDDIEl7g/TuhD3k9t-5I/AAAAAAAAAkI/tR1gz7kJd_A/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/17147495" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/8fbcf9de08b5f6b0/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/g2qaa2C" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/b56c11f8" style="background-color: white;" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-3155324460806152368?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/3155324460806152368/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/matthias-frey-five-elements-sacd-iso-cd.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3155324460806152368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3155324460806152368'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/matthias-frey-five-elements-sacd-iso-cd.html' title='Matthias Frey: Five Elements. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-wIr7e1_qv9Y/TuhDyJsexII/AAAAAAAAAkA/pdTf8-iDH6k/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-1244598792383670417</id><published>2011-12-10T18:33:00.001+01:00</published><updated>2011-12-15T18:17:32.366+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='The Flower Kings'/><category scheme='http://www.blogger.com/atom/ns#' term='Roine Stolt'/><category scheme='http://www.blogger.com/atom/ns#' term='Progressive Rock'/><title type='text'>The Flower Kings - Live at de Boerderij. 2CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/TCJ1ZmMjhFI/AAAAAAAABMk/Sz6sRnL4EcI/s1600/TFK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;b&gt;&lt;img border="0" height="51" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/TCJ1ZmMjhFI/AAAAAAAABMk/Sz6sRnL4EcI/s400/TFK.jpg" width="400" /&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="color: brown; text-align: left;"&gt;&lt;a href="http://www.flowerkings.se/" rel="nofollow" style="color: brown;" target="_blank"&gt;official website&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #0e774a; font-family: arial, sans-serif; font-size: small; line-height: 15px;"&gt;&lt;a href="http://ru.wikipedia.org/wiki/The_Flower_Kings"&gt;&lt;b&gt;ru.wikipedia.org&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #0e774a; font-family: arial, sans-serif; font-size: small; line-height: 15px;"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Flower_Kings"&gt;&lt;b&gt;en.wikipedia.org&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.progarchives.com/artist.asp?id=110" rel="nofollow" style="color: brown;" target="_blank"&gt;&lt;b&gt;progarchives&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://the.flower.kings.metallibrary.ru/"&gt;&lt;b&gt;metallibrary.ru&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;It's hard to make a biography about THE FLOWER KINGS, being that there's so much to say about them, so any attempt of telling their history may seem insufficient.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;This esential Swedish group was born around 1993 as a power trio formed by Roine Stolt (Ex-KAIPA) in guitar and vocals, Jaime Salazar (Drums) and Hasse Bruniusson (percussion), and ex-SAMLA MAMMAS MANNA, this lineup worked with Stolt in his solo album "The Flower King" with the participation of Hans Fröberg (Lead and Backing vocals) who would stay with them.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;Soon they decided to form a band using the name of the solo album so THE FLOWER KINGS was born, the keyboardist Tomas Bodin and Roine's brother Michael in the bass joined and the band was officially born.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;For 1995 they have their first release ready "Back in the World of Adventures" which impressed the critics very much for their closeness to the style of early bands such as Moody Blues, genesis, Jethro Tull etc, borrowing ideas but not music, so you can easily find their inspiration but a single chord copied, I personally liked the album but found it closer to Neo Prog than to Symphonic but this is only a stylistic precision that has no relation with the quality of the album.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;The next few years are prolific with few changes and they release "Retropolis" in 1996. Stardust we Are" in 1997 and "Flower Power" in 1998 with no great changes.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;In 1999 Michael Stolt leaves the band and is replaced by Jonas Reingold so the new formation for "Space Revolver" in the year 2000 also includes Ulf Wallander playing the Sax as a guest that remains for a long period with them...&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;a href="http://1.bp.blogspot.com/-aoKpr7B7v7I/TuOZj-9BNSI/AAAAAAAAAiI/PxWhta7aRN8/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="263" src="http://1.bp.blogspot.com/-aoKpr7B7v7I/TuOZj-9BNSI/AAAAAAAAAiI/PxWhta7aRN8/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;EAC-RIPS | FLAC, IMG+CUE, LOG | COMPLETE SCANS&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;nbsp;| 0.99GB&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Progressive Rock | Label: Reingold&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;nbsp;|&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;Catalog Number:&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;nbsp;RR CD 006&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;RAR 3% Rec. | FileFactory.com, FileServe.com, FileSonic.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;h2 style="background-color: #c4e8fb; color: #003366; font-family: arial, helvetica; font-size: 14pt; letter-spacing: 1px; margin-bottom: 5px; margin-top: 10px; text-align: -webkit-auto;"&gt;THE FLOWER KINGS - LIVE&lt;/h2&gt;&lt;span class="date" style="background-color: #c4e8fb; color: #003366; font-family: arial, helvetica; font-size: 12px; text-align: -webkit-auto;"&gt;28th May 2011&lt;/span&gt;&lt;br /&gt;&lt;blockquote style="background-color: #c4e8fb; color: #000033; font-family: arial, helvetica; font-size: 13px; margin-left: 20px; margin-right: 10px; text-align: -webkit-auto;"&gt;#TFKKaputt2CD&lt;br /&gt;Price : 20 euro or 29 us dollars (includes shipping worldwide)&lt;br /&gt;&lt;br /&gt;A new 2CD Live audio release from the reigning kings of progressive rock.&lt;br /&gt;Featuring special guest Pat Mastelotto (King Crimson, Mr Mister)&lt;br /&gt;Recorded at De Boerderij in Holland 2007&lt;br /&gt;Roine Stolt, Tomas Bodin, Pat Mastelotto, Jonas Reingold, Hasse Fröberg.&lt;br /&gt;Running Time: 143 minutes 2x CD Digipak and 20-pages booklet&lt;br /&gt;Audio Mixed by Roine Stolt&lt;br /&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;th style="font-size: 14px;" valign="top"&gt;&lt;/th&gt;&lt;td style="font-size: 14px;" valign="top"&gt;&lt;blockquote style="margin-left: 20px; margin-right: 10px;"&gt;Disc 1&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Love is the only answer&lt;/li&gt;&lt;li&gt;There is more to this world&lt;/li&gt;&lt;li&gt;Retropolis&lt;/li&gt;&lt;li&gt;Trading my soul&lt;/li&gt;&lt;li&gt;Hudson river sirens call&lt;/li&gt;&lt;li&gt;I am the sun&lt;/li&gt;&lt;/ol&gt;Disc 2&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Life in motion&lt;/li&gt;&lt;li&gt;Brimstone flight 999&lt;/li&gt;&lt;li&gt;Babylon&lt;/li&gt;&lt;li&gt;Stardust we are&lt;/li&gt;&lt;li&gt;What if god is alone&lt;/li&gt;&lt;li&gt;Blade of Cain&lt;/li&gt;&lt;li&gt;The sum of no reason&lt;/li&gt;&lt;/ol&gt;&lt;/blockquote&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YANrsWtz-Ao/TuOaVDQskzI/AAAAAAAAAiY/wykO40Y_DOc/s1600/stolt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-YANrsWtz-Ao/TuOaVDQskzI/AAAAAAAAAiY/wykO40Y_DOc/s320/stolt.jpg" width="319" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px;"&gt;In the summer of 2007, 40 years down the road from the original "Summer of Love", a band from Sweden, The Flower Kings, started planning to tour the universe to spread "the word" in a custom-built Volkswagen bus.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;It wasn't just any regular VW bus; it was designed by Russian AquaTouring engineer Ed Unitsky and the general idea was to be able to travel thru time, space, rain, storm, mountains and oceans to spread the message of LOVE!&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Now being 2007 we soon realized that we may need a bit of comfort because prog musicians do get grumpy and in the good old prog tradition, the egos grow bigger than the size of Germany, so we all needed our own Prog-turf on the road, a place for each of us to hang our glittering capes.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;So we rented a rolling castle from Kaiser Red Car and instructed the Orch-crew to load our Mellotrons, Taurus and kettledrums.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Once the guest drummer from the Crimson Kingdom had arrived and we were assured he was about the nicest chap there is in the music biz, the lot of us started cultivating the musical beast with a frenzy.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Two more American icons arrived, the Mighty "Mercher" that is Mr. Durbuck and a famous sound designer named Mr "DevilEars" (Paul DeVilliers) that had worked with giants like Mr Mister, Yes, Stevie Wonder, Bette Midler etc. so it looked like time to feel small, gulp!&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;So there we were, in a lofty rehearsal room spending most of the days cultivating the sounds of no evil, tuning Minimoogs and cursing our stupidity in writing way too complicated songs to play live. But hey - who said prog was meant to be easy, or life for that matter.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;We had a dream-team on board, so "Shut up and play yer bassguitar".&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Fast forward about a week, first show the following day in a kingdom nearby, home of trolls &amp;amp; deathmetalfairies - Norway. Our German Red Castle had arrived with two drivers and the idea was to travel by night to Oslo for a premiere show.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Band on board, crew on board, after midnight, bus rolling out of our town, everyone eager to get a good nights sleep.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;CRAAASHHH ! - ( Sound of shattering glass and loud voices in German ) "SCHEIZE - TOUR KAPUTT - KAPUTT !!!"&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;Rest of band seemed to be sleeping, regardless of noises and german cursing.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;I got up - 'cause I hadn't yet fallen asleep and realized thyat we had just hit a young moose (elk) and the windshield of this rolling red fortress was shattered, cracked and all over the bus floor.&lt;/span&gt;&lt;br style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;" /&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;So much for "The Tour Of No Evil"...............&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;span class="Apple-style-span" style="background-color: #c4e8fb; font-family: arial, helvetica; font-size: 14px; text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-n27J65Seomw/TuOZzF67uAI/AAAAAAAAAiQ/Ij-vVkXco-I/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="279" src="http://3.bp.blogspot.com/-n27J65Seomw/TuOZzF67uAI/AAAAAAAAAiQ/Ij-vVkXco-I/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;a href="http://www.filesonic.com/folder/16634685" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/54bbbfba4dc8caa2/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/5qQ8qMD" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; 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margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-1244598792383670417?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/1244598792383670417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/flower-kings-live-at-de-boerderij-2cd.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/1244598792383670417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/1244598792383670417'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/flower-kings-live-at-de-boerderij-2cd.html' title='The Flower Kings - Live at de Boerderij. 2CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_CqKk2gPm3lo/TCJ1ZmMjhFI/AAAAAAAABMk/Sz6sRnL4EcI/s72-c/TFK.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-403391907070319929</id><published>2011-12-08T06:32:00.001+01:00</published><updated>2011-12-08T09:15:28.371+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Stevie Ray Vaughan'/><title type='text'>Stevie Ray Vaughan - In Step. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-p2FAS6E4Ss8/TuBN-zqr66I/AAAAAAAAAhI/zUAMlclCZEM/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://4.bp.blogspot.com/-p2FAS6E4Ss8/TuBN-zqr66I/AAAAAAAAAhI/zUAMlclCZEM/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 1.70GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 256MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Blues-Rock | Label: MFSL | Catalog Number: UDSACD 2077&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Vaughan’s 1989 Grammy-Winning Album Viewed as His Masterpiece!&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;Fueled by a desire to make up for lost time and delight in his reawakened commitment to life, the Texas guitarist turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler. In Step remains one of the five-greatest blues records of the past quarter century.&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0041IU1FQ/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/6714" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;If for some strange reason someone had not heard or heard of Stevie Ray Vaughan by the late 1980s, In Step changed that in a hurry. Fueled by a desire to make up for lost time and delight in his reawakened commitment to life, the Texas guitarist turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler. In Step remains one of the five-greatest blues records of the past quarter century. &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;As part of the our Stevie Ray Vaughan catalog restoration project, Mobile Fidelity has remastered this 1989 classic from the original master tapes for an unprecedented sonic experience. Surpassing the myriad inferior remastered and reconfigured editions, this numbered limited-edition hybrid SACD allows you to savor Vaughan’s shuffles, wah-wah pedal effects, and string-squeezing fervor like never before. They almost didn’t happen...&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;a href="http://www.mofi.com/store/pc/viewPrd.asp?idproduct=212&amp;amp;idcategory=5" rel="nofollow" style="color: brown;" target="_blank"&gt;mofi.com&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-eyAdsAoaG9Q/TuBOI4OnoeI/AAAAAAAAAhQ/rS2xfgKW1es/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-eyAdsAoaG9Q/TuBOI4OnoeI/AAAAAAAAAhQ/rS2xfgKW1es/s200/disc.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;If The House Is Rockin'&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:25&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Crossfire&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:10&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Tightrope&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Let Me Love You Baby&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Leave My Girl Alone&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:16&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Travis Walk&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Wall of Denial&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Scratch-N-Sniff&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Love Me Darlin'&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Riviera Paradise&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;....The years leading up to In Step weren’t kind to Vaughan. In terms of deserved critical praise, yes. And in terms of continually hitting giant artistic strides, certainly. But Vaughan became mired in a haze of whiskey and cocaine, getting sucked into a downward spiral that culminated with him collapsing on a London stage in 1986 and coming close to death. After checking himself in for treatment, embracing the 12-step program, and finally kicking his vices, Vaughan returned with a vengeance on In Step, the first record he made sober. &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp; The results teem with intensity, passion, and edge. Vaughan aggressively tears into uptempo hellraisers such as “The House Is Rockin’” and “Scratch-N-Sniff,” grabbing each song by the scruff, shaking them, and refusing to let go. He courageously delves into his personal scars on the semi-autobiographical “Tightrope” and “Wall of Denial,” confessionals that leave nothing to the imagination. A pair of instrumentals and several powerhouse covers round out an effort defined by Herculean consistency, songwriting, and poignant honesty. That Vaughan was killed in a helicopter accident one year after its release only adds to the sense of urgency—and bittersweet feeling, particularly since everything here serves to uplift. &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp; Mobile Fidelity’s numbered limited-edition hybrid SACD brings Vaughan’s soul blues and lyrical playing to the fore. The naked tones wrought from his guitar, triumphant inflection of his voice, and every riveting string bend are captured with extreme delicacy, so you don’t miss a note. What’s more, the spacious arrangements and intricate acoustics get plenty of sonic legroom to stretch out on a vast soundstage. Hear the record that forever solidified Vaughan as a legend the way the man himself intended.&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-R4TBQNRNiCk/TuBOPNzsKAI/AAAAAAAAAhY/jqJ6QRfIfQk/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://3.bp.blogspot.com/-R4TBQNRNiCk/TuBOPNzsKAI/AAAAAAAAAhY/jqJ6QRfIfQk/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/10003301" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/c285e3a5fe7adeec/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/PtTXkyP" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/19f44488" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-texas-flood.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV1&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-couldnt-stand.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV2&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-soul-to-soul-sacd.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV3&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/stevie-ray-vaughan-sky-is-crying-sacd.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV4&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;embed align="middle" allowscriptaccess="always" flashvars="hash=c285e3a5fe7adeec&amp;amp;mainColor=cc0099&amp;amp;contentColor=99ff00&amp;amp;textColor=8f006b&amp;amp;highlightColor=cc0099" height="320" id="flashElement" menu="false" name="widget" pluginspage="http://www.macromedia.com/go/getflashplayer" quality="high" src="http://www.filefactory.com/widget/folder.swf" type="application/x-shockwave-flash" width="240" wmode="transparent"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;div style="font-family: Arial,Sans-Serif; font-size: x-small; text-align: center; width: 240px;"&gt;&lt;a href="http://www.filefactory.com/f/c285e3a5fe7adeec/"&gt;Go to folder&lt;/a&gt; - &lt;a href="http://www.filefactory.com/"&gt;FileFactory.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-403391907070319929?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/403391907070319929/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/stevie-ray-vaughan-in-step-sacd-iso-cd.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/403391907070319929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/403391907070319929'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/stevie-ray-vaughan-in-step-sacd-iso-cd.html' title='Stevie Ray Vaughan - In Step. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-p2FAS6E4Ss8/TuBN-zqr66I/AAAAAAAAAhI/zUAMlclCZEM/s72-c/front.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-3217013252019037652</id><published>2011-12-06T06:33:00.001+01:00</published><updated>2011-12-06T06:52:22.861+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Tsuyoshi Yamamoto Trio'/><title type='text'>Tsuyoshi Yamamoto Trio - Live at the Misty. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pOQf7vD-coI/Tt2qqGX5u8I/AAAAAAAAAgg/9nSWW65ow1M/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://1.bp.blogspot.com/-pOQf7vD-coI/Tt2qqGX5u8I/AAAAAAAAAgg/9nSWW65ow1M/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 1.65GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 282MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Jazz | Label:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Three Blind Mice&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;MHCP-10038&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;...his SACD is suited to test/adjust the soundstage of your speakers or headphones, also dynamic tests with Piano and Drums, and great fun to listen&lt;/i&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/Live-Misty-Hybr-Tsuyoshi-Yamamoto/dp/B000JBWY7W" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/4248" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sweet Georgia Brown&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Loving Touch&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Dark Eyes&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;14:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Moanin&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:39&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-po3ZohYNiBY/Tt2rB2v-ubI/AAAAAAAAAgo/LXINze0KCdM/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://1.bp.blogspot.com/-po3ZohYNiBY/Tt2rB2v-ubI/AAAAAAAAAgo/LXINze0KCdM/s200/disc.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;...This disc is a Stereo Hybrid SACD recorded live in Analogue tape(Philips Pro-1951, 2 channel recorder) and Ampex AG-440B recorder, in Chritmas Day 25Dec1974 at The Misty Club, Roppongi-Tokyo, so Tsuyoshi Yamamoto was in a overground playing this night and the audience also was hi in the Club and follow Moaning with claps, people even talk around the stage unceasing.&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;This album show four tunes in sequence, they are live shots, there is no cut/gap in the tape between the songs, the performances are strait, unhesitatingly, confident, Yamamoto do not wait applause and start another theme promptly, this SACD keep a great Jazz moment from a distant year of past...&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OnTrSMRWh-k/Tt2rLbiWsCI/AAAAAAAAAgw/ipf-Fru_WbA/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-OnTrSMRWh-k/Tt2rLbiWsCI/AAAAAAAAAgw/ipf-Fru_WbA/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/16543455" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/5c641f0d4d84b988/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/yTKHPWG" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/7998bc85" style="background-color: white;" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;pw: bambasm&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-3217013252019037652?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/3217013252019037652/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/tsuyoshi-yamamoto-trio-live-at-misty.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3217013252019037652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/3217013252019037652'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/tsuyoshi-yamamoto-trio-live-at-misty.html' title='Tsuyoshi Yamamoto Trio - Live at the Misty. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-pOQf7vD-coI/Tt2qqGX5u8I/AAAAAAAAAgg/9nSWW65ow1M/s72-c/front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-8781238218846451389</id><published>2011-12-04T19:00:00.001+01:00</published><updated>2011-12-10T16:21:03.896+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Santana'/><title type='text'>Santana - Caravanserai. 2011 - SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-TrMwU44W9GM/Ttu3pS7CjFI/AAAAAAAAAfY/9dPpgY-AfcA/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-TrMwU44W9GM/Ttu3pS7CjFI/AAAAAAAAAfY/9dPpgY-AfcA/s320/front.jpg" width="315" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 2.12GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 318MB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Fusion-Jazz-Rock | Label:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;MFSL&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;UDSACD 2079&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;This is a remarkable album in the Santana discograghy. I dont own the Japanese version of this title and I always like to compare the different sacd versions.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;This new Mobile Fidelity sacd of the classic rock Santana album is a pretty decent transfer. Musically this is simply a superb album by the ever experimental Santana. On this album Santana plays in favor of emotion rather than simple technique. Also the bad's jamming is to create atmospheric and emotional soundscapes instead of the usual latin flavoured rock music. Most of the album is of the instrumental variety and the different sounds and textures are always fascinating to hear and feel.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;All in all I feel Mofi has done a rather credible job here. There is a very live feeling with the sound of the music that I like. This sacd has to be played rather loud and the sound is a little on the cool side of feel.........like alot of Mofi titles. At least its not as analytical as some of their other titles. Sometimes the bass is fuller than at other times. The dynamic range is not very extreme due to the recording but there are some subtle surprises here and there. Santana's guitar playing is........well...do I need to even go there?? Its awesome and some of the cresendo's are beautiful and full of emotion.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;One other thing about this recording. The music tends to sound a little flat and bunched in due to all the members jamming at the same time. This is not really the usual 70's rock album where there are individual solo's by the certain members. Santana was trying for something different here. A more free fall type of sound where all members are collectivly contributing to the music by playing together. As a result of this .....listeners shouldn't believe that there will be a complete seperation of instruments as per the norm. The soundfield is more homgenized.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;On the down side I find the rare instances of singing rather dull and not recorded very well but thats not Mofi's fault.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;Mofi did an very good job on this title. And this is a great..great classic rock album from a superb group.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;I recommend this sacd.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B005M4K94G/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/7553" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cVP9jOe7iH4/Ttu3xtRm_rI/AAAAAAAAAfg/3ALUBT950lQ/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-cVP9jOe7iH4/Ttu3xtRm_rI/AAAAAAAAAfg/3ALUBT950lQ/s320/disc.jpg" width="314" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Eternal Caravan of Reincarnation&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Waves Within&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Look Up (To See What's Coming Down)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Just In Time To See The Sun&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:18&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Song Of The Wind&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;All The Love Of The Universe&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Future Primitive&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Stone Flower&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:14&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Le Fuente Del Ritmo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Every Step Of The Way&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:05&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Santana, but with a twist! A fusion of latin rhythms, funk, jazz and Santana's soulful guitar! This is one of my favorite Santana albums - Moonflower being my absolute favorite. Every single track is a masterpiece. The whole album holds together as a cohesive unit and is best played from start to finish and at a high volume. &amp;nbsp;Santana and the band are magic in these performances.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;There is lots of depth and good placement of instruments, although a little congestion is present. In my room the sound stage expands to the outside of the speakers. Turn the lights down low and you are there with the band. There is a live feel to the music presented here. Bass is not quite as extented as I was expecting, but the highs are light and airy with cymbols that shimmer and sound like cymbols. Santana's guitar has a beautiful soulful tone!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;Great music and a great transfer by MoFi - highly recommended.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;Can we hope for Moonflower on SACD?&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: -webkit-auto;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; 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text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/16414365" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/cad45289961308c3/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/DFphFyd" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/d53f20cf" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;embed align="middle" allowscriptaccess="always" flashvars="hash=cad45289961308c3" height="320" id="flashElement" menu="false" name="widget" pluginspage="http://www.macromedia.com/go/getflashplayer" quality="high" src="http://www.filefactory.com/widget/folder.swf" type="application/x-shockwave-flash" width="240" wmode="transparent"&gt;&lt;/embed&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Sans-Serif; font-size: x-small; text-align: center; width: 240px;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.filefactory.com/f/cad45289961308c3/"&gt;Go to folder&lt;/a&gt; - &lt;a href="http://www.filefactory.com/"&gt;FileFactory.com&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-8781238218846451389?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/8781238218846451389/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/santana-caravanserai-2011-sacd-iso-cd.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8781238218846451389'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/8781238218846451389'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/santana-caravanserai-2011-sacd-iso-cd.html' title='Santana - Caravanserai. 2011 - SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-TrMwU44W9GM/Ttu3pS7CjFI/AAAAAAAAAfY/9dPpgY-AfcA/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-5438284694189264971</id><published>2011-12-04T11:42:00.001+01:00</published><updated>2011-12-10T16:19:52.514+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO'/><category scheme='http://www.blogger.com/atom/ns#' term='Santana'/><title type='text'>Santana - Caravanserai. 1999 - SACD-ISO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-32gi7V0ZpwE/TttbAII4jKI/AAAAAAAAAeg/kZ5PTat3WnQ/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-32gi7V0ZpwE/TttbAII4jKI/AAAAAAAAAeg/kZ5PTat3WnQ/s1600/front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 2.12GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Fusion-Jazz-Rock | Label: SME Japan | Catalog Number: SRGS 4524&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;It sounds much better than the cd version, unfortunately is only dsd and not hybrid but it sounds great! Alive, detailed and dynamic.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B00005GA18/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/971" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: -webkit-auto;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;"Eternal Caravan Of Reincarnation" - the images invoked by the title of the first track and the cover photo really position this album for me. A classic Santana effort, combining rock, salsa and jazz influences. I have the JSACD and the sonics are very good, though perhaps not right up there with the very best. The first three tracks are instrumental, setting up the mood for the rest of the line-up. Vintage Santana with those signature 'aching' guitar solo's, nice organ interplay and his famous conga's.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Check out the transition from "Just In Time To See The Sun" to "Song Of The Wind" - just priceless. Only Santana can take a driving rythmn and merge it into a clear, slow guitar solo like that. The guitar riffs reach for the skies. Gregg Rollie is the voice and together with Greg Walker he is one of the great Santana singers in my view. I cannot tell you how good this album is. Go get it. And I want "Moonflower" on SACD next!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-bsFgKwPJyS0/Ttu0O6emUII/AAAAAAAAAfQ/ghBG1uZPgAw/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://4.bp.blogspot.com/-bsFgKwPJyS0/Ttu0O6emUII/AAAAAAAAAfQ/ghBG1uZPgAw/s320/disc.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp;1. Eternal caravan of reincarnation&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;2. Waves within&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;3. Look up (To see what's coming down)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;4. Just in time to see the sun&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;5. Song of the wind&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;6. All the love of the universe&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;7. Future primitive&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;8. Stone flower&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;9. La fuente del ritmo&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10. Every step of the way&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-YKqsAcKfOLs/TttcrAXHFrI/AAAAAAAAAew/9-mjepwgv-U/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-YKqsAcKfOLs/TttcrAXHFrI/AAAAAAAAAew/9-mjepwgv-U/s1600/back.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/9479751" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/0e09933ab1c87fc0/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/uGZbG6s" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/6ddcb0cc" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: bambasm&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Sans-Serif; font-size: x-small; text-align: center; width: 240px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-5438284694189264971?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/5438284694189264971/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/santana-caravanserai-1999-sacd-iso.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/5438284694189264971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/5438284694189264971'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/santana-caravanserai-1999-sacd-iso.html' title='Santana - Caravanserai. 1999 - SACD-ISO'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-32gi7V0ZpwE/TttbAII4jKI/AAAAAAAAAeg/kZ5PTat3WnQ/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-7797992325629593527</id><published>2011-12-03T19:30:00.001+01:00</published><updated>2011-12-03T20:10:03.795+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Stevie Ray Vaughan'/><title type='text'>Stevie Ray Vaughan - The Sky Is Crying. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vmiOth99sbs/TtpuPz2vMJI/AAAAAAAAAeQ/UDxtC5Xql2o/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://4.bp.blogspot.com/-vmiOth99sbs/TtpuPz2vMJI/AAAAAAAAAeQ/UDxtC5Xql2o/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0 | 1.60GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG, SCANS | 244MB&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Blues-Rock | Label: MFSL | Catalog Number: UDSACD 2078&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;Comprised of ten previously unreleased studio performances from Stevie Ray Vaughan and Double Trouble cut between late 1984 and early 1989, The Sky Is Crying serves as the legendary guitarist’s unofficial “fifth” album as well as an homage to extraordinary musician’s exceptional abilities as a musician, songwriter, and interpreter. It also contains the tremendously moving “Life By the Drop,” the first-ever recorded take of Vaughan playing acoustic guitar. Few, if any, posthumous collections are more complete, satisfying, and revealing as this 1990 set...&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0041IU1GA/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/6776" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;...With the set never before remastered in any form, Mobile Fidelity has taken the honors seriously, remastering from the original master tapes and presenting these life-affirming songs in jaw-dropping fidelity on hybrid SACD. At times, it feels as if you are sitting in the studio control room with the band just a few feet away, as nearly every selection here was recorded live with minimal overdubs. The degree of presence, immediacy, and detail is on par with the best-sounding blues albums—on LP or CD—in existence. &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;When Vaughan was killed in a helicopter crash in August 1990, his brother, Jimmie, set to work on finding finished material that his younger sibling left in the vaults. To his surprise, there weren’t many completed leftovers—save for the tracks on this set, which lent to the opinion that, in some way, Vaughan intended The Sky Is Crying to be an actual record. Nearly every song here had long found its way into the group’s live sets, including the supremely soulful title track, bathed in Reese Wynan’s warm organ accompaniment. It would be a standout on most albums, but this effort is filled with such nonpareil matter...&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;a href="http://www.mofi.com/store/pc/viewPrd.asp?idproduct=213&amp;amp;idcategory=5" rel="nofollow" style="color: brown;" target="_blank"&gt;mofi.com&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-eNINLBt14ww/Ttps7DzS6WI/AAAAAAAAAeI/WeWivyMOJlo/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-eNINLBt14ww/Ttps7DzS6WI/AAAAAAAAAeI/WeWivyMOJlo/s320/disc.jpg" width="315" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;1. &amp;nbsp; &amp;nbsp;"Boot Hill"&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 2. &amp;nbsp; &amp;nbsp;"The Sky Is Crying"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 3. &amp;nbsp; &amp;nbsp;"Empty Arms"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 4. &amp;nbsp; &amp;nbsp;"Little Wing"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 5. &amp;nbsp; &amp;nbsp;"Wham"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 6. &amp;nbsp; &amp;nbsp;"May I Have a Talk With You"&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 7. &amp;nbsp; &amp;nbsp;"Close to You"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 8. &amp;nbsp; &amp;nbsp;"Chitlins con Carne"&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 9. &amp;nbsp; &amp;nbsp;"So Excited"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; 10. &amp;nbsp; &amp;nbsp;"Life By the Drop"&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;span class="Apple-style-span" style="background-color: #eeeeee;"&gt;&lt;i&gt;&lt;b&gt;...This is due to Mobile Fidelity’s retrieval of previously hidden information and meticulous engineering that gives the music that sought-after breath of life. Everything from Vaughan’s syncopated rhythms to his hot-wired guitar licks sounds apiece, vibrant, and exactly as it should. Want to experience music played with ultimate conviction and soul-shaking integrity? Don’t wait another second to dive into The Sky Is Crying.&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-09Qwm1JWv9s/TtpukxwVseI/AAAAAAAAAeY/MO512a0lkFE/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/-09Qwm1JWv9s/TtpukxwVseI/AAAAAAAAAeY/MO512a0lkFE/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/folder/10003301" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/c285e3a5fe7adeec/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/PtTXkyP" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://tinypaste.com/8ab5029e" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;information&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #660000;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-texas-flood.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV1&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-couldnt-stand.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV2&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/11/stevie-ray-vaughan-soul-to-soul-sacd.html" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;SRV3&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6712372016553035731-7797992325629593527?l=progress-in-rock-jazz-blues-and-more.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/feeds/7797992325629593527/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/stevie-ray-vaughan-sky-is-crying-sacd.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7797992325629593527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6712372016553035731/posts/default/7797992325629593527'/><link rel='alternate' type='text/html' href='http://progress-in-rock-jazz-blues-and-more.blogspot.com/2011/12/stevie-ray-vaughan-sky-is-crying-sacd.html' title='Stevie Ray Vaughan - The Sky Is Crying. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vmiOth99sbs/TtpuPz2vMJI/AAAAAAAAAeQ/UDxtC5Xql2o/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6712372016553035731.post-1698972299801321425</id><published>2011-12-03T07:17:00.001+01:00</published><updated>2011-12-03T07:36:53.714+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO'/><category scheme='http://www.blogger.com/atom/ns#' term='The Allman Brothers Band'/><title type='text'>The Allman Brothers Band - Eat a Peach. SACD-ISO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Md5K2bG4dZA/TtnAZ3gp4hI/AAAAAAAAAcw/1Gu3qlp4B-s/s1600/Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-Md5K2bG4dZA/TtnAZ3gp4hI/AAAAAAAAAcw/1Gu3qlp4B-s/s320/Front.jpg" width="319" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 4.42GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Rock | Label:&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Island&lt;/i&gt;&lt;/span&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;| Catalog Number:&amp;nbsp;&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: whitesmoke; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;i&gt;B0002439-36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="font-style: italic; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.amazon.com/dp/B0002IQAMW/?tag=sacdinfocom-20" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;a href="http://sa-cd.net/showthread/1911" rel="nofollow" style="background-color: white; color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding
